Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. An early entry in the Met’s series of PBS telecasts, this 1978 performance captures a young James Morris in a smooth portrayal of the title role, with the legendary Joan Sutherland showing off her unsurpassed technique as Donna Anna and Gabriel Bacquier as a masterful Leporello.
Don Ottavio
Donna Elvira
Zerlina
The Commendatore
Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. An early entry in the Met’s series of PBS telecasts, this 1978 performance captures a young James Morris in a smooth portrayal of the title role, with the legendary Joan Sutherland showing off her unsurpassed technique as Donna Anna and Gabriel Bacquier as a masterful Leporello.
1978-03-16
8
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.
While digging one of the many tunnels for the Moscow metro, Soviet workers unearth ruins of a dungeon. The site is closed, the metro tunnel is diverted, and amidst the bustle no one notices the tunnel workers’ foreman pocketing a little ‘souvenir’ – a book-sized frame made of precious metals featuring an inscription in an unknown language. Decades later, the foreman’s grandson Ilya, who works as a courier, discovers the ancient relic in a pile of old junk. Oblivious to the true value of the family heirloom, he soon learns about it from a mysterious stranger. The relic is the key to the secret location of the priceless ancient library that belonged to Ivan the Terrible. What Ilya doesn’t know is that the search for the lost library has been going on for centuries, and now very powerful people are after him. Ilya and the mysterious stranger decide to try their luck in finding the library.
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
Before introverted word-nerd Zoe gains the courage to enter the National Scrabble Championship, she meets her emotional match in Marty, an irascible recluse. She finds him equally pitted against the opposing forces in her life - other people - including family, co-workers and a couple of particularly irksome adversaries standing in the way of her dream to become the world's second female National Scrabble Champion.
In this prequel to the animated series The King's Avatar, Ye Xiu enters into the pro gaming world of Glory, and competes in the first Pro League series tournament.
While working a case as an interpreter, a hearing-impaired police detective must confront a group of criminals trying to eliminate a deaf murder witness in her apartment building.
In a desperate bid to reunite with his daughter, an armed man bursts into the medical center where his estranged wife works and kidnaps her.
Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.
A recap of Kimetsu no Yaiba episodes 11–14, with new footage and special end credits. Tanjiro ventures to the south-southeast where he encounters a cowardly young man named Zenitsu Agatsuma. He is a fellow survivor from Final Selection and his sparrow asks Tanjiro to help keep him in line.
A grieving young inventor finds solace in repairing an antique typewriter.
After being implicated in a terrorist attack, Santi, a taxi driver, is taken hostage by one of the perpetrators.
A fun camping trip turns into a desperate fight for survival after two kids witness a horrific event in the wild. They have to endure the elements and wildlife and they must also find a way to reach civilization before it's too late.
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
The blind swordsman, skilled in martial arts, named Cheng Xiazi (Xie Miao), accidentally saves Zhang Xiaoyu (Yang Enyou), who has suffered from the destruction of his family. Under the persuasion of the orphan Xiaoyu, Cheng reluctantly keeps him by his side and teaches him skills. Xiaoyu also waits for the opportunity to seek revenge.
Hannah and Matt, a young couple on their first holiday together, quickly discover that they may not see eye-to-eye. Feeling as though she let her boyfriend down, Hannah enlists the help of a mysterious gypsy woman, in the hope that the couple's troubles can be overcome. However, when Matt wakes to find his girlfriend has disappeared, the gypsy woman's sinister intentions become all too clear.
Conglomerated Assets, a brokerage firm is sinking fast as its CEO checks out and leaves the company to his inept film school drop out son. Enter Quincy, Waverly, Erica, Rudy, Tina and Yasmine. Team QWERTY--six sexy secretaries that must save the day.
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.
The water fairy Rusalka falls in love with an earthly prince. In vain, Father Aquarius warns her. Her sincere feelings are met with human treachery...
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.
La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.
The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.
In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.