Helmwige
Ortlinde
Gerhilde
Waltraute
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.
"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
Take a perfect cast, a great conductor and a groundbreaking staging in-out makes a 'Tristan' for eternity. The 1983 performance in Bayreuth was a great moment for the world of opera. The ensemble performance of René Kollo, Johanna Meier and Matti Salminen with, then as now the Wagner admirer, Daniel Barenboim conducting the Bayreuth orchestra inspired singers and instrumentalists to peak performance. Jean-Pierre Ponnelle created a dream-beautiful stage.
A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.
Cio-Cio-San, a young Japanese geisha, seeks to fulfill her dreams through marriage to an American naval officer. Her faith in their future is shattered by his empty vows and the loss she endures touches something deep within us all.
Pagliacci, is a 1948 Italian film based on Ruggero Leoncavallo's opera Pagliacci, directed by Mario Costa. The film stars Tito Gobbi and Gina Lollobrigida. It recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.
The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.
Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.
Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.
A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.
Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.
Witness the Zurich Opera's stunning production of Richard Wagner's masterpiece "Tannhauser," conducted by Franz Welser-Most and featuring Peter Sieffert (Tannhauser), Solveig Kringelborn (Elisabeth) and Roman Trekel (von Eschenbach). Initially produced in Dresden in 1845, "Tannhauser" instilled a sense of wonder in a few of Strauss's ardent friends and admirers, among them Robert Schumann and Franz Liszt. Opera buffs will love it.
This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.
It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Emma Mayer is a psychologist and advises people in crisis situations. She works at a radio station in Mannheim and does her best to provide callers with help and support. When a hostage-taker calls her during a broadcast, her expertise and improvisation are called for, as the caller forces her to move out of the studio and confront him directly. When she arrives at the petrol station, Emma gets involved in a question-and-answer game: For every correct answer, a hostage is allowed to leave; for every wrong answer, a hostage loses their life.
Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.
An old geezer recalls some of the antics of the citizens of his Western town, more wild and woolly than Tombstone or Dodge City. In this town, they shoot like Stormtroopers, the women seek new meat, and practical jokers abound.
When gold is discovered the first man there gets to stake his claim. Joe and another man race each other, which involves a thrilling episode on a train.
Kumar Agnihotri belongs to a wealthy family, consisting of his dad, Madan, and mom, Janki. He is in love with beautiful Mala Bajpai, and they hope to marry soon with the blessings of their respective parents. Kumar's other passion is boxing, which Janki loathes, and hopes that he will give this up soon. When the Agnihotris bring home a woman named Ganga, and introduce her to Kumar as Janki's childhood friend, Kumar finds out that Ganga is his biological mother, and his father, Ajay Kumar, was the National Champion in boxing, who was killed by three men for refusing to lose a fight. While Janki is afraid that she is going her son to Ganga, Kumar has decided to avenge his biological's father's death by any means, little realizing that he may face the same fate his father did years ago.
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
A story of good versus evil revolving around a young woman. When Angela is born to David and Sara they are full of joy but as she grows up, she proves to be more of a curse than a blessing. Angela herself is confused and is only sure of one thing ... she doesn't want the dark powers which she cannot control.
Set in an oppressive future where the government controls the media, Ben Richards volunteers to participate in a deadly game show, which will see him hunted by professional killers over 30 days. Should he survive, he’ll win a cash prize that will help save his sick child and lift his family out of a horrid living situation.
In the early twentieth century, a mysterious ecological crisis nearly wiped out the fish that most people cared about in the largest freshwater ecosystem on earth—the Great Lakes. The impact reverberated across the region, ruining local industries, damaging small town economies and indigenous communities, and destroying the livelihoods of people in the United States and Canada. With little reason for hope, a dedicated group of scientists, policymakers, and conservationists tackled the mystery.
A regiment of soldiers demonstrate their skills.
Cry of Silence, is about a double kidnapping, and assault that is presented as an Action Packed ,Dramatic, Thriller that will keep you riveted.
"Peep Show" is a strange amalgam of dank noir drama and cheesy journalism, recounting Sam “Momo” Giancana's reign with the Outfit. Styled as a confessional by one of Momo's gunsels, the tabloid tell-all traces the Cosa Nostra's connections first to the fall of Cuba and Kennedy's mob-supported presidency, then to a spreading blight of drug trafficking that swept through Vegas on the way to the White House.
Philippa Talbot is a talented London businesswoman who has decided to give up her position and power to become a nun. The man who loves her is in shock over her departure from his life. When Philippa arrives at Brede, a cloistered Benedictine monastery, the abbess who was responsible for convincing her to enter this vocation suddenly dies. Her successor is Catherine, a sensitive leader who's the first to tell the newcomer to the community that all nuns are to love without a preference for one over another. This becomes very difficult when Joanna, a young nun, singles Sister Philippa out and grows very attached to her.