La mulatta Bersi
La contessa di Coigny
Roucher
Pietro Fléville
Un "Incredibile"
Fouquier Tinville
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.
In his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".
Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.
After an absence of three years, Aitana makes a surprise return home with Gabi, her Brazilian partner, and their son. The reception from her parents is surprisingly cold. Only her wheelchair-bound brother is pleased to see her. But what affects Aitana most of all is the presence of a stranger her age sleeping in her bed, wearing her clothes, living in her house, and being treated by her parents as if she were their daughter. From that moment on, torn by jealousy, suspicion, and misunderstanding, Aitana tries to find out what is happening and who the intruder is until she discovers an unexpected and disturbing truth darker than she would ever have thought possible.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
Melba is the wife of a slain farmer-leader whose murder is attributed to an incumbent governor. She goes to the city to appeal the case and to seek out a new life after the tragedy. Working as a staff member at the office of City Councilor, she is introduced to the life inside politics. Eventually she will be deeply involved, as her decision to marry the budding politician lays a carefully planned agenda.
Stone and Echo is a full-length concert film of A Perfect Circle's performance on August 02, 2011, at the Red Rocks Amphitheatre in Morrison, Colorado.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.
Pierre has been happily married for fifteen years and a good father. Still in love with his wife, he enjoys his wife and family and is content. One evening, he meets Elsa at a party and are immediately attracted to each other. Fifteen days later, they happen to meet again and the mutual attraction turns into infatuation. But his love for his wife and Elsa's rule about not dating married men prevents them from taking the next step. Instead, they fantasize about each other, and soon the fantasies mingle with the reality.
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
In 1919, Australian farmer Joshua Connor travels to Turkey to discover the fate of his three sons, reported missing in action. Holding on to hope, Joshua must travel across the war-torn landscape to find the truth and his own peace.
An American army officer working for British intelligence comes to post-war Berlin to solve a murder. His investigation is compromised when he falls for a nightclub singer, not realising she is an agent of the criminal mastermind he is on the trail of.
Catalonia, Spain. In a village on the Costa Brava, José, an Andalusian emigrant, works as a bricklayer while waiting for his wife Juana and his two children to join him.
Martin and Antoine, two French criminals, team up with Román and El Picas, a friend of the latter, to commit robberies in Barcelona, but things do not turn out as expected.