Circle Jerks: My Career as a Jerk

Dima Punk(ar)

Once a Punk, always a Punk? This is the story of Stof whom we followed for 8 years through the popular districts of Casablanca. He pays his independence at a high price when he finds himself arrested.

DIESEL(fr)

Diesel is a road-movie documentary on Punk Rock music

Punk the Capital: Building a Sound Movement(en)

An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.

People In A Film(en)

Chronicles the musical career of British post-punk art rockers Wire.

Die Toten Hosen - 3 Akkorde für ein Halleluja(de)

We Were Feared(en)

We Were Feared chronicles the rise and fall of the Cuckoo's Nest punk rock club. Hailed as the birthplace of slam-dancing, the Nest famously shared a parking lot with a cowboy bar and the mayhem that would ensue when both clubs emptied was immortalized in the Vandals' songs “The Legend of Pat Brown” and “Urban Struggle.” Featuring interviews with the people who populated the scene, archival images of gigs, and live performances by Black Flag, the Circle Jerks, & T.S.O.L.

Negro Terror(en)

A portrait of a punk band and their role in the vibrant and eclectic underground music scene from which they were born. The idiosyncratic personalities of these three musicians demonstrates that, like all great artistic or political collectives, individuals with conflicting and confounding ideologies can be drawn together around a common cause. Championing the music, community, and politics of their beloved city of Memphis, TN, Negro Terror are far more than just another hardcore punk band with a provocative name.

Sum 41: Don't Try This at Home(en)

The making-of documentary of the fifth studio album by Canadian punk band Sum 41, "Screaming Bloody Murder".

Sex Pistols: Decade... A Look Back (Unlimited Supply)(en)

Featuring portions of over a dozen songs, humorous British 'punk' ads, opinions, Ronnie Biggs, Malcolm McLaren (of course!), and a fantastic not-so-candid Lydon interview.

Art as a Weapon(en)

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

The Mentors: Kings of Sleaze Rockumentary(en)

Documentary on the shock rock group "The Mentors".

The Decline of Western Civilization(en)

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Poly Styrene: I Am a Cliché(en)

The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.

Green Day: The Early Years(en)

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

Ricky Espinosa: El Documental(es)

Dead Kennedys: Fresh Fruit for Rotting Eyeballs(en)

Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album. Jello Biafra's 1979 run for mayor is also highlighted.

Assjack: Gates of Hell(en)

A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.

The New York Hardcore Chronicles Film(en)

Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.

Punk rule O.K.(de)

Short documentary about the beginnings of punk in Great Britain. Don Letts, Caroline Coon, Jon Savage and Viv Albertine - all themselves connected to this scene - recount their experiences and memories from that time. In addition, original recordings and short concert excerpts document the feeling, fashion and circumstances of the youth of the time.

Punk Girls - Die weibliche Geschichte des britischen Punk(de)

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.