Featuring portions of over a dozen songs, humorous British 'punk' ads, opinions, Ronnie Biggs, Malcolm McLaren (of course!), and a fantastic not-so-candid Lydon interview.
1989-03-11
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A documentary that explores the challenges that a life in music can bring.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.
After a close friends suicide; Will, a Punk and Post-Punk musician living in the US is struggling with doubts about his relationship, his identity and ultimately what he wants to do in life. Will becomes isolated, reliant on substances and is sent down a path of pain, suffering and existential terror.
On October 12th, 1978, New York Police discovered the lifeless body of a young woman, slumped under the bathroom sink in a hotel room. She was Nancy Spungen, an ex-prostitute, sometimes stripper, heroin addict, and girlfriend of Sex Pistols' bassist Sid Vicious.
The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.
An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.
A documentary on the music, performers, attitude and distinctive look that made up punk rock.
Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.
Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.
A bored trio of high school delinquents start a rock 'n' roll band together. They have no skill, money, or even a full set of drums, but are determined to jam out and impress their only friend.
Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.
Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..