Mouthpiece(1978)

Torre 1(xx)

The port of a Mediterranean coastal city, which had once been the symbol of prosperity and the epicenter of life in the region, is now only the reflection of a decaying present. Static and empty shots reveal glimpses of a brilliant past, only interrupted by the intermittent sound of the construction of a residential apartment building that stands menacingly a few meters from the dock, presaging an even darker future.

Cloud Film(en)

cloud film meditates on the calming effects of watching clouds, while also demanding action to combat our impact on the environment. It calls attention to a loss of control as the clouds turn into a storm, reflecting the momentum of climate change. As clouds float on screen, fluctuating between different frame rates, this film calls attention to its handmade form through the use of cameraless techniques such as ray-o-gramming, optical printing and hand processing.

L.I.P.S.(en)

The bravest adventurer at The League of Interplanetary Process Servers attempts to deliver 30 subpoenas throughout the universe in only ten minutes.

Grid(pt)

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

C-Film(en)

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Cocote Tonggo(jv)

To preserve the reputation of their family's traditional fertility herbal shop from neighbors' ridicule, a married couple who have been childless for years pretend to be pregnant so they can claim a found baby as their own.

When I Close My Eyes I See Everything(en)

A Sunday walk in a forest turns into a poetic journey on perception.

Nameless(ru)

Conflict between son and mother.

The Human Centipede 2 (Full Sequence)(en)

Inspired by the fictional Dr. Heiter, disturbed loner Martin dreams of creating a 12-person centipede and sets out to realize his sick fantasy.

The Hundred Voices of Harry Hoffman(en)

The world's premiere voice actor and animator, known as "The Man with 99 Voices" has gone silent. In an attempt to break into the business, aspiring voice actor Claire Flores must coax the reclusive Harry Hoffman out of retirement. She quickly learns of his sinister secret, a horrifying hundredth voice dead set on getting Harry back into the limelight.

Water from The Tremulous Stream(es)

A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.

Some Real Places(en)

A short structural film that questions the reality we live in under capitalism through various images of Paris, Edinburgh, and Disneyland.

Vortex(pt)

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

As You Are(en)

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

Number Two(en)

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

The Flicker(en)

A film consisting of alternating black and white frames.

Lemon(en)

Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is clearly visible. Then the light recedes across the frame.

Reila(nl)