Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
1970-01-01
6.5
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
An old geezer recalls some of the antics of the citizens of his Western town, more wild and woolly than Tombstone or Dodge City. In this town, they shoot like Stormtroopers, the women seek new meat, and practical jokers abound.
A soba restaurant owner dies mysteriously on D. Street. The police rule it as a suicide, but detective Akechi Kogoro and his wife Fumiyo think otherwise and launch their own investigation. As they delve deeper, they discover relationships twisted by perverted desire and hideous affection and hatred.
Jason and the crew go on a leisure trip to a carnival, but are confronted by carnival barker Uncle Blobb and his diabolical interplanetary real estate scheme as he attempts to turn them into "Seeds of Discontent."
In the early twentieth century, a mysterious ecological crisis nearly wiped out the fish that most people cared about in the largest freshwater ecosystem on earth—the Great Lakes. The impact reverberated across the region, ruining local industries, damaging small town economies and indigenous communities, and destroying the livelihoods of people in the United States and Canada. With little reason for hope, a dedicated group of scientists, policymakers, and conservationists tackled the mystery.
Filmed April and May 2003 after Jay won his second consecutive IFBB Arnold Classic title. Includes Jay's high intensity and high volume semi-off-season workouts. Exclusive interviews show you Jay's personality and his serious approach to bodybuilding. (Topics: Current Routine & Diet, Supplementation, Gain Mass Theory, Charity Activities, Memorable Places and more.) Guest appearance at San Diego Classic, Jay on & off stage, Educational business seminar at El Toro High school. Jay speaks to the class about : First Contest, To be a Pro, JKC Enterprises, Up Set, Eat Sleep Train, Jay's Day, Peak, Squats, $1,000/Week in food, Consistency...and more. and CRIBS @ his brand new Las Vegas home. Lots of information, not just training but the lifestyle of top professional bodybuilder's.
A story of good versus evil revolving around a young woman. When Angela is born to David and Sara they are full of joy but as she grows up, she proves to be more of a curse than a blessing. Angela herself is confused and is only sure of one thing ... she doesn't want the dark powers which she cannot control.
Due to a serious heart condition, Madeleine is forced to retire from her beloved job at the neighbourhood grocery store. How will her last day end?
When gold is discovered the first man there gets to stake his claim. Joe and another man race each other, which involves a thrilling episode on a train.
Rich Do-won lives off the libido of a sexual plaything girl named Yoo Min-hee. One day, his elder brother, Dae-ho, is kicked out of the company after his brother's business went bankrupt and he was raising money here and there. Dae-ho visits his wife Seong-ah and borrows money from Do-won. But he can't even pay back the interest and ends up being a fugitive, and Do-won takes advantage of this opportunity to approach Dae-ho's wife. After such a hard time, Dae-ho and Seong-ah run away. However, Dae-ho dies after being caught by Do-won, who was waiting in advance, and takes the baby home alone. As time goes by, Seong-ah's body heats up and wants an active relationship, and then Do-won's unconventional demands increase. And then one day, her husband who she thought was dead, came to see her.
When the local Banker jumps the Blaine's claim, they have men rob the bank to retrieve their money. When the men try to double-cross the Blains, a gunfight erupts and Jim Blaine gets away with the money. Mountie Bob McDonald gets Jim Blaine to return the money. Bob thinks the Banker was really behind the robbery and now uses the money to try and lure him into a trap.
A border inspection at Ventimiglia, between Italy and France, turns into a fantastical fairy tale narrated by a chorus of frogs, wherein a scientist experiments with rejuvenation techniques using monkey testicles. Dr. Voronoff was a real person, and was world-famous in the 1920s. His villa stands on the border where migrants try to cross. But it is as if they do not exist.
As the world attempts to grapple with the strange new reality precipitated by COVID-19, essential workers are risking their lives daily. This guerilla documentary, shot in Brussels Erasmus University Hospital during the first few months of the lockdown, tells their story.
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
In the 1920s, Angela Murray Gibson chose an unusual location to embark on a career in silent filmmaking: her tiny hometown of Casselton, North Dakota. She had previously helped Mary Pickford as an advisor and assistant director on The Pride of the Clan (1917), which Mary Pickford produced and starred in. She opened North Dakota's first movie studio, and she had the audacity to be a woman in an industry dominated by men.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Jeff Koons is a MOCA commissioned mini-documentary on the career of artist Jeff Koons, directed by Oscar Boyson.
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
This short film focuses on the job of the Hollywood screenwriter.
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
A young trans man tells his story on a early morning journey to Coney Island.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.
Big ambitions clash in tiny kitchens, all in the name of Singapore’s beloved hawker dish — chicken rice. Apple presents a documentary about hawker pride and conviction, set against the backdrop of the famous Maxwell Food Centre.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
A nude woman relaxing on a bed to Minnie Riperton's song Les Fleurs is exited by its chorus. Director Saam Farahmand heats up the body hair debate.
Rated X, a short documentary about the adult industry, focuses on giving a voice to the porn actresses working within it. In a perspective of showing how these women empower themselves with their job, Rated X shows the porn industry like never before.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.