A dedicated bird watcher observes a hawk and journeys to the limits of what it means to be human.
Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
A musical animated film which celebrates the simple and childish joy of hitting drums, scribbling on paper using marker pens, splashing paint or making cracked cymbals screech.
A series of vaudeville acts inserted in images of reality, meant to demonstrate the ephemeral nature of all things.
Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.
A 5 minute, 2D, straight-ahead animated film by Bruce Bickford.
A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.
Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.
Experimental film from the almanac of classical music for children "Children's Album". It is dedicated to the constructivist period of Alexander Mosolov, as well as architecture and cinema of this direction and consists of three parts, with conditional names: 1. "Shadows", 2. "Movement", 3. "Volume". The structure of the film is visually and rhythmically close to constructivism.
"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.
An elegy to a love affair that has gone sour, a fond farewell to that most beautiful material that has subjugated our planet – plastic.
Birds singing. Alarm clock. Coffee. What’s next? A trip outside? Or a trip inside? This film is a breathing meditation, wrapped in the disguise of a feather-light experimental drawing animation.
Deep-sea organisms living in such a specific environment have developed unusual forms and properties. This is an interpretation of the underwater world and an invitation to relax.