2020-10-07
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Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
"My last image of Jonas."—Ken Jacobs
This collection of David Lynch's short films cover the first 29 years of his career. Each film is given a special introduction by the director himself. His earliest underground films Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974) are showcased as well as two requisitioned works well into his successful career The Cowboy and the Frenchman (1988) and his addition for Lumière and Company (1995).
Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
Myia and Aristote live from gluglu hunting. These cloud-animals allow them to grow courgettes in the desert. One day, Myia falls in love with one of them …
Bill struggles to put together his shattered psyche.
The main character is a young girl who sees the world around her as cold, depraved and ugly. She can’t and won’t fit in. One day, a strange cloud appears over her apartment, triggering a supernatural event.
The mysterious mechanism of a music box keeps playing different versions of the same melody. In isolation and an atmosphere of fear you might think that other melodies do not exist because it helps to bear the constant pain. False notes give hope for a better fate and freedom but no one knows what price they'll have to pay.
Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.
Four types of visual interpretation of four songs by Karol Szymanowski. Polish words by Julian Tuwin, English translation by Jan Sliwinski.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
The film was produced applying mixed techniques on Super 8 film support.
The sad and happy times of a young girl and her bear doll, a young mouse and his family, a sycamore tree, an old lamp post, a hoodlum moth and an alleyway full of posters coming to life.