Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.
A short animated film about an orphan kitten raised with love by a sea otter, whom had lost her own child. The film's message was to promote the abolishment of nuclear weapons using anthropomorphic animals.
This short piece is somewhat romantic, despite its title. We do see the ogre however. He inverts himself into the action throughout the film. As usual, the action is partly symbolic, partly surreal.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.
Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.
A documentary about the atrocities committed against the Hmong people by the Laos government. Shot by Hmong people with cameras provided to them in 2006, this film provides a unique look into one of the worst, and silent, human rights tragedies of the 21st century.
Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.
A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.
Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
Vision of the Dark Tower is a dream within a dream. Based on the Dark Tower novels by Stephen King, this animated short describes the call of the Dark Tower to one of the main characters.
In the heart of a dark forest, two silhouettes meet, attract and repel each other in an explosive bridal parade. "Hold Me Tight" is a bittersweet romance.
One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg