Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
1976-01-01
5.3
Sato's re-imagining of In a Grove, on which Rashomon was based. In this version, instead of a web of lies and agendas, we get a web of desires, perversions like incest, and occult phenomenon like an oracle-demon, hallucinations, and human sacrifice. Once again, the story starts with a detective trying to unravel the story of a man and a woman encountering a bandit-rapist in the woods, but the real story keeps turning out to be unfathomable as layer upon layer of strange motives and events keep turning up.
The life of a witch is disrupted by the arrival of a boy and his mother. The intruders' presence makes her struggle to adjust to the modern world, and to change from bad to good witch. Based on the book "Old Black Witch" by Wende and Harry Devlin.
The Dutch 'Wad' (coastal mud flats) is a strange place. At low tide, many square miles of mud flats surface between the mainland and the northern islands. The Netherlands grow and shrink with the movement of the moon. Sudden incoming tide make these flats 'sea' again, sometimes drowning hikers by surprise. The Wad does not know what to make of itself. Land, see, mud, ocean floor... Two characters (and their dog) are stranded there in that desolate place. The only dramatic elements in this comical short are the sea, the wind, the sand and a lonely sea gull. Drawn in mud and tar on wet sandpaper.
A man desiring to join the Grouch Club describes the terrible experience of trying to check out a book from a public library.
This biopic follows basketball legend Dražen Petrović's life, from his early years in Croatia to his rise to NBA stardom and career cut short by tragedy.
Xavier Mina accepted the commission to lead a liberating expedition in support of General Morelos. He failed to arrive in Mexico until Morelos had died and the Mexican Congress (which in New Spain faced the absolutism of Fernando VII) was dissolved, but for eight months he directed a series of more or less brilliant military actions, in the face of the harassment of the Viceroy , Who finally got him arrested.
It's the Miss First Nations competition! Beyond the glitz, glue guns and glamour of black drag to reveal a fun, fabulous and sometimes fearful place. A sassy, intimate portrait of what it means to be an Indigenous Drag Queen today.
Gallagher wants to talk to you about style. Yeah, the sweaty guy on roller skates with the one-of-a-kind "bowling ball wearing a hula skirt" hairdo. Might seem like an odd topic coming from the man who uses humor as a blunt instrument (and not just when he's wailing a watermelon with his Sledge-O-Matic), but that's just what you get in this hour-long stand-up piece from 1983. You see, for comedy's prop master extraordinaire, style isn't so much about finesse as it is about flair. Flair he's got in spades, as long as you're willing to call stupid hats and a trampoline disguised as a huge couch flair. The bits travel well-worn paths through mating and parenthood, and the material does often betray its age (the fact that National Enquirer headlines are stupid isn't exactly revolutionary comedy). However, what ultimately makes Gallagher giggle-worthy isn't the material itself, but the zeal with which he swings for the big laugh. Hammer in hand or not, the man's got style.
A crusty recluse on a Caribbean island who is dedicated to destroying sharks gets involved in a hunt for buried treasure.
Pearl Jam - Under Review documents this extraordinary band's rise to glory and explores quite how they have confounded fans and critics alike, maintaining their status among rock's elite while refusing to compromise their artistic and ethical values.
Shortages in postwar Berlin have created a blooming black market, and the goods rounded up during a major police raid all seem to come from the same source. The trail leads Commissioner Naumann to the Alibaba Cabarett, but he is unable to find conclusive evidence to convict its owner Goll.
This is a picture of some horrible events in Bulgaria after the WW2, when as if in the name of the future dictatorship, rules came.
A feisty woman struggles to keep her ranch from being stolen by a greedy and unscrupulous land-baron named Malick. A trio of young men comes to her aid Dusty Fog, the "Kid," and Miguel. They are later joined by a fourth man named Mark, who switches allegiance away from Malick, and then by the local Sheriff who's finally forced to stand up to the local tyrant.
When three sisters inherit a cabaret named Bonne Soirée, two of them are thrilled with the influx of money it grants them but the third sister, who is religious, advises them to get rid of it. The two of them refuse to lister and start working in the cabaret against their sister's advice.
Georg Alexander plays Douglas Mavis, the son of a rich English family who falls in love with a Berlin girl (Renate Müller) and marries her. However, he doesn't tell his family, and for a reason: the resolute head of the family (played by the inimitable Adele Sandrock) has other designs for her grandson. Further complications arise when the family lawyer (Adolf Wohlbrück) gets to know the Berlin lady without knowing who she is. And meanwhile, Mavis meets an alluring lady from a cabaret (Hilde Hildebrand).
The horrors of war and the devastating effects of the atomic bomb.
A documentary about the artistic and verbal expressions of mentally ill people.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
At the microphone with Max Ferguson, radio satirist, as he creates his weekday-morning program. Filmed inside his CBC broadcasting booth, this film watches and records as Max ad-libs his way through zany interpretations of news events. His only script is the morning paper and with it he tilts at humbug with a flair that has made him a national figure.
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Internet comedian Carl Déman from the humor group JLC lived a life that looked glorious. But beneath the surface was a terrible gambling addiction that almost cost him his life. In 2019, he and other gambling addicts struggle to stay afloat in a contemporary age marinated in gambling advertising. Carl wants to ask those who make the advertising how they think and wonders why the advertising profiles now also come from the world of culture and entertainment.
For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In 1918, the U.S. Army Signal Corps sent 223 women to France as telephone operators to help win the Great War. They swore Army oaths, wore uniforms, held rank, and were subject to military justice. By war's end, they had connected over 26 million calls and were recognized by General John J. Pershing for their service. When they returned home, the U.S. government told them they were never soldiers. For 60 years, they fought their own government for recognition. In 1977, with the help of Sen. Barry Goldwater and Congresswoman Lindy Boggs, they won. Unfortunately, only a handful were still alive.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
Unlike our dream of becoming a great filmmaker, the movie boards that adults talk about are tough. We are looking for our idol, Bong Joon-ho...
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.