Tom Mix, the most popular screen cowboy of his era, played a lineman for a power company in this action melodrama which was a Western in name only.
Pete Highley / Francis Earle
Chiquita (as Dolores Rousse)
Stephen Kirby
Tom Mix, the most popular screen cowboy of his era, played a lineman for a power company in this action melodrama which was a Western in name only.
1924-05-04
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Tom Mix rides Tony over a swaying trestle bridge with an express train crashing behind. YOU MUST SEE THIS THIS STUNT!
Buck Duane is on the run after killing his father's murderer. He rescues a beautiful young woman from an outlaw, but the outlaw's wife has eyes for the young cowpoke and makes trouble for him.
Tom meets his fate when a balloon goes sailing over the ranch: seeing a girl jump with a parachute, he rides to her rescue. Later, during the circus parade, he rides to her assistance, rescuing her from an elephant and thus arousing the ire of the circus manager, whose henchmen begin to chase Tom. Scrambling over the main tent, Tom falls onto the tightrope and lands in a net with the girl while the crowd wildly applauds. Kirk Mallory, who is jealous of Tom's attentions to Millie, frames Tom for a murder; he lands in jail but escapes and reaches Mallory's ranch in time to rescue the girl and administer a thrashing to the villain.
A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnapping six prostitutes, and turning their mining camp into a boom town. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining.
A bounty hunter trying to bring a murderer to justice is forced to accept the help of two less-than-trustworthy strangers.
Gunslinger Jonah Hex is appointed by President Ulysses Grant to track down terrorist Quentin Turnbull, a former Confederate officer determined on unleashing hell on earth. Jonah not only secures freedom by accepting this task, he also gets revenge on the man who slayed his wife and child.
This beautifully understated Western is the story of a son raised by two fathers, one from the European East and one from the American West. On the cusp of the 20th century, somewhere on the American frontier, Igor, an immigrant and recent widower, struggles to raise his two-year-old son Ivo on his own. When his American friend and mentor Duncan decides to move his horse-breeding business and young family to California, Igor and Ivo join the wagon train headed West.
Peggy Barlou is a young rancher who refuses to sell her spread to greedy stage-line proprietor John Rankin. Tex Haines, meanwhile, is accused of killing Bill Dugan, Rankin's bodyguard, but eludes capture long enough to hook up with Dave Wyatt and Panhandle Perkins, a couple of rangers in disguise.
A cowboy investigating his brother's murder finds himself going up against a banker who holds the deed to the cowboy's family ranch.
Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons.
Johnny Mack Brown is back as Nevada Jack McKenzie in Frontier Feud. Once again, Nevada and his grizzled sidekick Sandy (Raymond Hatton) are US marshals posing as drifters. Rancher Joe (Dennis Moore) is accused of a series of murders, but Nevada and Sandy manage to prove that another man is the guilty party.
A wildcat oil outfit is seeking to take over the ranch belonging to Pop Martin and his son Bob and daughter Helen. Bob sends his ex-army pals a "stay-way" message, which brings them on the double. The WW II vets use their jeeps, first for a cattle roundup, and then to round up the gang of crooks, including the crooked family-lawyer Thatcher, brains of the gang.
The period is the 1840's and Greg Thurston is out to establish his own empire out of a large area of the west. He needs rifles to give to the Indians but Monte Hale breaks up his attack on the supply train. But when they get them by robbing the warehouse, Monte suspects Thuston who had the other key. He follows Thurston only to be caught by him just as Thurston launches his final big attack.
Taylor's men are robbing incoming supply wagons to enable Taylor to sell goods at inflated prices. The Vigilantes led by Frank Jackson are doing the same so the ranchers won't starve. Marshals Lash and Fuzzy arrive to try and find the real culprits.
In this western, a hero prevents a stagecoach robbery and wins the respect and confidence of a mine owner and a pretty woman who is going west to see her sister. Two outlaws next try to jump the miner's claim.
Missie's surprise pregnancy sets her on a new course that is both thrilling and terrifying. After all the planning and dreaming, she and her husband Willie are headed west in a covered wagon, leaving behind the prairie home of Missie's parents. Now, caught between the excitement of the new adventure and the pain of not knowing when she'll see her family again, Missie copes with the challenges, and cherishes the rewards, of her new homestead.
Quincy Drew and Jason O’Rourke, a pair of friends and con men—the former white, the latter a Northern-born free Black man— travel from town to town in the pre–Civil War American West. In their scam, Quincy sells Jason into slavery, frees him, and the two move on to the next town of suckers . . . until a con gone wrong leads Jason into real danger.
A satire of the Great American Way, with Lemonade Joe a "clean living" gunfighter who drinks only Kola-Loca Lemonade and convinces everyone else in town (with his gun skills) that all "real men" drink ONLY lemonade!
In 1867, a gang robs a bank and flees into the desert. Out of water, the outlaws encounter a ghost town called Yellow Sky and its only residents, a hostile young woman and her grandfather.
In the 1800s frontier, Missie Davis is a bright and beautiful schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though she's met a hero from one of her novels.
This Columbia western starring Charles Starrett finds Steve Randall (Charles Starrett) forming a radio show with Jimmy Wakely (Jimmy Wakely) and his Saddle Pals, and are in town for a rodeo. Reporter Connie Pearson (Constance Worth) persuades them to visit Marty Jones (Elvin Fields), a fatherless boy, who has been sent to a boy's home after stealing Steve's wallet, ran by Tom Goodwin (Forrest Taylor.) Marty tells Steve that the home is a phony and is a front for cattle rustlers. Steve passes the information on to Connie, who doesn't believe him, so he and Jimmy wire the ranch for sound. They are caught and Goodwin turns them over to Sheriff Barnes (Edmund Cobb), and then plans to skip the country