The Void Inside(2020)

Green Days(fa)

A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.

Not Even in a Wildest Dream(pt)

The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.

Debt(es)

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

69 Minutes of 86 Days(no)

A 3-year-old girl and her family's long journey from a Greek refugee centre to Uppsala.

The Cave(en)

Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.

in the name of tradition(en)

The destiny of women is irrevocably linked to blood. Between tradition and modernity, the female body has been marketed, honored, and mutilated.

Sheep Among Wolves: Volume II(en)

Today, Iran's aggressive posture and rogue nuclear weapons program are straining the patience and nerve of the international community. With Iranian fighters, funds, and strategic weapons flooding into the Middle East, significant war appears inevitable. Meanwhile, something surprising is taking place inside this controversial country. Muslim-background Iranians are leading a quiet but mass exodus out of Islam and bowing their knees to the Jewish Messiah—with kindled affection toward the Jewish people. The Iranian awakening is a rapidly reproducing discipleship movement that owns no property, no buildings, has no budget, no 501c3 status, and is predominantly led by women. THIS IS THEIR STORY.

Alone In Movie Theater(ar)

This documentary was written with passion and love for cinema, and on the other hand, he blamed her. Our fictional character for this documentary talks about her passion for cinema and how it affected her life and recounts the decades that passed on the cinema one after the other.

Net of Rights(en)

Explores the relation between Internet protocols and the promotion and protection of Human Rights.

Stranger(fr)

In the ‘poor crescent’ around Brussels one child in three lives on the poverty line. But they can find refuge with BX Brussels of Vincent Kompany – a sports and social project. Stranger follows recent immigrant Senegalese football coach Moussa as he struggles to give them hope in their sport … and in their life.

Dokkoi! Songs from the Bottom(ja)

After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

Dandara: Enquanto Morar for um Privilégio, Ocupar é um Direito(pt)

Fish Story(cn)

J and Jacky are good friends who attend the same school. J is from a single-parent family, and will be taken care by Jacky’s family whenever his mother has to return to Mainland to renew her visa; such kind of story is not an isolated case. These families have been uprooted for a “better future” in Hong Kong, but is this “future” that the children really long to have? A Chinese saying: “How does one understand the joy of fish, if one is not a fish?” Will the adults really understand what the children want?

Death by Pollution(en)

Ella Adoo-Kissi-Debrah was a nine-year-old girl who lived in south-east London and died in 2013. The cause of death was listed as air pollution, now her mother is fighting to make clean air a human right.

301(it)

Keep Up the Good Work(de)

It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.

The Fall of the I-Hotel(en)

The Fall of the I-Hotel brings to life the battle for housing in San Francisco. The brutal eviction of the International Hotel's tenants culminated a decade of spirited resistance to the razing of Manilatown. The Fall of the I-Hotel works on several levels. It not only documents the struggle to save the I-Hotel, but also gives an overview of Filipino American history.

Sam & Mattie Make a Zombie Movie(en)

Documentary about the making of ’Spring Break Zombie Massacre.’

Morte e Vida Severina(pt)

The story of Severino, a man who tries to escape the misery and the drought prevailing in the rural backcountry of the Northeast of Brazil. He heads for Recife, passing through desert and forest regions, expecting to find a better life.

Los posibles(es)

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.