Behind Natacha Rambova's Shadow(2019)

O Encontro do Sol e a Lua(pt)

Rest in Pieces(en)

This short machinima horror movie tells the escape story of Chris Edwards, inner voice dubbed by Aaron Landon Jackson, who wakes up in the middle of the night, at the cemetery, by a nameless grave that reads "Rest In Pieces."

Pretty Is(en)

In rural South Carolina, a God-fearing family with a flirtatious sixteen-year-old daughter invites a mysterious man to their home.

Oh Meri Mehboba(en)

Big Boss, a passionate and eccentric actor, decides to bring his dream project to life by creating a Bollywood music video for Oh Meri Mehboba. He selects the charismatic and strong actor Manju, the stunning model Laila, and a group of talented friends to make the video unforgettable. The story centers around Manju and Laila. They start as casual acquaintances, their bond growing naturally into a close friendship. As they spend more time together, their connection blossoms into a deep and sincere love. However, their happiness catches the attention of Ranbir, who secretly harbors feelings for Laila and becomes jealous of their relationship. During a grand party, where everyone is gathered to celebrate, a drunken Ranbir approaches Laila, causing a scene.

Firmware(en)

A young woman and her decommissioned military droid struggle to escape a nuclear exclusion zone, hoping to find a better life on the outside -- free from the oppression of the forces that keep her there.

The Evil Marriage(ur)

Once upon a time, in a far away, across the dark jungle, a castle in the sky, there lived a king of Evils with his evil guards. One day, one of his magicians showed the magic mirror and shows a beautiful human girl in this mirror, and told that if he wants to continue to be a king he must marry this girl. The story of "The Evil Marriage movie" revolves around the character of "Nur" (a human girl) who was kidnapped by the Evil's king guards and took her to unfamiliar world where she will have to marry the evil in order for others to live. But, there is someone who sneaks into the dark jungle to reach the evil castle and rescues her.

Big Dipper Array(zh)

Tanda ng Pagtanaw(en)

The farmers of Caquilingan Farmers' Association (CFA) of Cordon, Isabela were wrongfully accused of an offense against a trumped case because they tried to defend their lands from greedy landlords.

Our First Time(th)

Sud Yod, a famous live online game streamer who has an office syndrome in which he has sit for a long time in front of the computer, has received a gift voucher of a free special 2-hour hotoil massage from a famous massage parlor on Nimman road Chiang Mai, Thailand. He decides to try this oil massage for the first time. Num Un, a nephew of the massage parlor owner, is not aware that today he has to be a special masseur for this game streamer and the story of the two timid boys and their “first” time of impression has begun.

All Blossoms Again: Pedro Costa, Director(en)

With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.

Panels for the Walls of Heaven(en)

The last of Brakhage's longer works. Part of the "Vancouver Island" films. "Purple flashes are followed by a curtain of purple and blues, first seemingly static and then in motion. Close-ups of textures of paint evolve into flashes of jewel-like red, then more cascading blues and purples and white - 'falling,' seemingly, down from the top of the screen, at other times multi-directional bursts of rolling colors. Red, blue and yellow course through in an up-down motion, then blues and yellows enter from left and right in a complex medley of not solidly formed, but very vibrant pulsations of color, at times only slightly hinting at a solidity of "wallness" upon which the paint might exist. But it is a "wall" suffused with light." - Marilyn Brakhage

The Stain(ka)

Directed by Aleko Tsabadze.

Hope Along the Wind: The Story of Harry Hay(en)

Harry Hay was one of the founding fathers of the gay rights movement, and for more than 50 years was synonymous with the term "gay pride." Director Eric Slade's documentary about Hay looks at both his life and the movement he did so much to define. In 1948, Hay founded the Mattachine Society in Los Angeles; the goal of the organization was to establish a "Golden Brotherhood," one that sought to redefine homosexuality as a normal, healthy way of life. The problem, Hay famously maintained, was not homosexuality itself, but the way it was treated by society. Dramatizations, photographs, archival footage, and interviews with original Mattachine Society members are all incorporated to tell Hay's remarkable story, one whose legacy continues to be felt in the treatment of gays and lesbians in culture today.

Nacht der Wölfe(de)

The story of two rival gangs in Munich, one composed of German teens and the other of Turkish ones. The German version of "West Side Story".

The Grievance Group(en)

A "support" group of vigilantes band together to seek revenge on those who murdered their loved ones.

Era Of Dance(ru)

The film tells a story about the latest musical revolution in recent history – the early days of the rave scene and the golden age of techno culture. International political changes in the mid-80s and early 90s, including the fall of the Berlin Wall and the collapse of the Soviet Union, in a short period of time allowed this cultural phenomenon to become a mass movement which was almost completely independent from the global corporations and which did not fight with the system but created its own system.

The Jewish-Roman Wars(de)

In the first century, after the death of Herod the Great, Judea goes through a long period of turbulence due to the actions of the corrupt Roman governors and the internal struggles, both religious and political, between Jewish factions, events that soon lead to the uprising of the population and a cruel war that lasts several years and causes thousands of deaths, a catastrophe described in detail by the Romanized Jewish historian Titus Flavius Josephus.

A Look at the World of 'Soylent Green'(en)

This promotional short film for "Soylent Green" (1973) begins by showing clips of films that depicted what the future might be like beyond Earth. The narrator then discusses the origin of the idea depicted in "Soylent Green." Director Richard Fleischer and star Charlton Heston discuss how an upcoming crowd scene will be filmed. Then we see what happens when the crowd riots because there is not enough food available to be distributed to everyone. "Soylent Green" was Edward G. Robinson's 101st (and, as it turned out, his last) feature film. During a break in filming, the cast and crew hold a ceremony celebrating the first film of his "second hundred," and Robinson makes appreciative remarks to the crowd. Studio head Jack L. Warner and friend George Burns are among those in attendance.

David Lean: A Self Portrait(en)

A television documentary on the life and career of British film director David Lean. Scenes of Lean directing are intercut with personal interviews in which the director explains his methods, the beginnings of his career, and his relationships with actors and actresses.

Brigadistas(de)

Marcel Duchamp: The Art of the Possible(en)

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

Clawing! A Journey Through the Spanish Horror(es)

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Love & Loyalty: The Making of 'The Remains of the Day'(en)

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

Advance Australian Film(en)

It's been 20 years since an Australian film has reached number one at the yearly Box Office and our films have consistently grossed under 5% for the years. So what can we do to make a change?

Bellini and Mantegna: Renaissance Rivals(de)

The mysterious parallel story of Italian painters Andrea Mantegna (ca. 1431-1506) and Giovanni Bellini (ca. 1435-1516), brothers-in-law, public rivals and masters of the early Renaissance.

La La La(fr)

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

Boundless(cn)

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Aidez l'Espagne(ca)

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Songs for After a War(es)

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

The Pink Room(en)

After selling herself at fourteen to a brothel inside her home town of Svay Pak, Mien takes an undesired path all over Cambodia for the remainder of her teenage life. At twenty, her path crosses with a group of people fighting to make a difference, bringing her long and onerous journey back to face where it all began. The Pink Room is an intertwined story of the heart-rending, epic battle to end sex slavery, from rescue to prevention, and experiencing first hand, the need to change not just individuals, but the communities they come from. Most documentaries on trafficking only bring awareness to the problem. This film bring awareness to the solutions.

What the #$*! Do We (K)now!?(en)

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

Time in the Sun(en)

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

Cannes : Palmes, scandales et tapis rouge(fr)

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

Au Hasard Bresson(de)

In 1966, German film critic Theodor Kotulla — who would go on to become one of the New German Cinema's most uncompromising filmmakers — visited the set of Robert Bresson's "Mouchette" (1967) and created this half-hour documentary about the director. It won the 1967 German Film Award for best short documentary.

Cinéastes de notre temps : Max Ophuls ou la ronde(fr)

A 1965 episode of the French television program Cinéastes de notre temps, featuring interviews with many of film director Max Ophuls’s collaborators

Les heures sombres de l'Égypte antique(fr)