This omnibus film tell six stories about the terror of six Indonesian ghosts: Ustaz (Kiky Armando) who is tested by Pocong terror; A woman (Putri Ayudya) is visited by Bajang after abortion; The trick of Sundel Bolong against a pregnant woman (Marya Supraba); Investigation of reporter (Gandhi Fernando) about the mysterious Begu Ganjang legend; A woman (Dea Ananda) who finds her father keeping Genderuwo; and a girl (Btari Cinta) who performs the forbidden dance caller Lehak, a damned creature from legend.
Sundel Bolong
Rani
Pak Ustad
Nino
Pocong
This omnibus film tell six stories about the terror of six Indonesian ghosts: Ustaz (Kiky Armando) who is tested by Pocong terror; A woman (Putri Ayudya) is visited by Bajang after abortion; The trick of Sundel Bolong against a pregnant woman (Marya Supraba); Investigation of reporter (Gandhi Fernando) about the mysterious Begu Ganjang legend; A woman (Dea Ananda) who finds her father keeping Genderuwo; and a girl (Btari Cinta) who performs the forbidden dance caller Lehak, a damned creature from legend.
2018-11-22
6.3
6 Directors, 6 Monsters, 6 Nightmares
The trio of Dono, Kasino and Indro, are working for an advertising firm. The story begins with the three comedians running here and there, exploiting every opportunity toward humor. Initially, Dono becomes enamored of a belly dancer, whom Indro hits on while Dono is away. It turns out that the belly dancer is being used by a blackmailer to extort money. Then the trio embarks on an effort to make a beer commercial with a chubby actress, Yuli (Tarida Gloria), who makes a big mess of the film shoot. Whatever storyline exists then disintegrates into a series of totally unrelated comedic sketches.
Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Tim is 23 years old. He stammers a lot. His friend is a charmer. For Tim, seducing a girl is an ordeal.
A poignant look at mental retardation and society's ignorance and indifference towards people that are different.
Helena has just started a new job - and she's already pregnant. She desperately needs daycare. Madness ensues as she discovers that the odds of getting into a nursery are about as high as winning the lottery.
After the violent death of her Welsh rugby-loving doctor boyfriend in the country's civil war, a Malagasy nurse working at a child hospice in Congo makes a pilgrimage to Wales to sprinkle his ashes on the turf of the Millennium Stadium.
Masters of Stone I & II feature 2 hours of climbing action in renowned locations including Yosemite, The Needles, Smith Rock, American Fork, Owens River, City Of Rocks, Donner Summit, Wild Iris, Red Rocks, Mt. Charleston and more. This is classic "old school" climbing at its best.
Annabelle Dances in William K.L. Dickson's 1894 short film
In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.
JEWELS is an early example of the visual fascination of dark Vienna. The film was released in 1930 as one of the last silent films under the powerful title SENSATION IM DIAMANTENCLUB. The screenplay was based on motifs from Hoffmann's story 'Das Fräulein von Scuderi' (1819), which is considered the first crime story in German. Director Hans Brückner mixes some elements of the genre in his crime film, the palette ranges from classic 'Whodunit' to detective to elements of horror film, focuses on shadows, lighting effects, cross-fading according to German and drastic wrestling matches based on the American pattern. As a 'modern' script idea, the dissociative movement disorder, i.e. the psychological paralysis of a victim in shock, impresses a motif that will later prove to be indispensable for the horror repertoire.
The story revolves around the dangers of superstition, particularly when it concerns marriage and how unscrupulous elements in society could manipulate these beliefs to their benefit and lead to tragic consequences.