Lillian dresses as a man to gain access to a boy's school. (from Performing Queer Female Identity on Screen: A Critical Analysis of Five Recent Films)
Mr. Whippem
Lillian dresses as a man to gain access to a boy's school. (from Performing Queer Female Identity on Screen: A Critical Analysis of Five Recent Films)
1914-07-10
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A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
A tramp enters a cabaret and orders a drink, but then is thrown out when he cannot pay for it. After trying again, he is told by the manager that if he wants to avoid being charged and sent to jail, he will have to work.
Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.
The sinister Dr. Watt has an evil scheme going—he's kidnapping beautiful young women and turning them into mannequins to sell to local stores. Fortunately for him, Detective Sergeant Bung is on the case, and he doesn't have a clue!
In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.
Otto Dernburg is forced by circumstances to dress up as a middle-aged woman.
Charles and Peter have passed their law degree and are looking forward to wooing a few girls in the country. For that, they need a chaperone and persuade their fellow student Ditlev to play Charles's aunt from Brazil. Ditlev has a talent for acting and takes the role very seriously, but when Charles's real aunt turns up, things get complicated.
Charley Wyckham and Jack Chesney pressure fellow student Fancourt Babberly to pose as Charley's Brazilian Aunt Donna Lucia. Their purpose is to have a chaperone for their amorous visits with Amy and Kitty, niece and ward of crusty Stephen Spettigue. Complications begin when Fancourt, in drag, becomes the love object of old Spettigue and Sir Francis Chesney.
An Austrian version of the famous farce Charley's Aunt. A man impersonates his own aunt.
Investment advisor Stefan Lohmann has defrauded master butcher Waldemar Pückler of five million euros. He therefore wants to travel to Munich to meet the 'cattle baroness' Lucia d'Alvarez and do business with her. Lohmann also travels to Munich to go into hiding. He meets Lucia and falls in love with her, but then has a momentous encounter with his victim.
After being falsely accused of stealing the budget for their annual cocktail cruise, three very different fraternity brothers are kicked out of their dorm. In order to clear their name and to secure their future careers, the three dress up in drag and pledge the sorority next door where they learn a few valuable - and hilarious - lessons about themselves and the female species.
Passing Through is a 1921 American silent comedy drama film, directed by William A. Seiter and written by Agnes Christine Johnston, and Joseph F. Poland.
An animated musical love story about a young man who lives inside a billboard and is charged with updating the advertisements. When he falls in love with a beautiful lady living across the highway, he has to use the only method he knows to get his message across - advertising
Danny La Rue stars in this 1970s drag comedy as Fred Wimbush, a Shakespearean actor who is drafted into WWII and is appearing in a camp show in France when the Nazis advance. Unless he continues in his female costume, Fred is certain to be shot as a spy. The risque gags and double entendres fly as he attempts to make his escape in the company of a troupe of Girl Guides.
The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.
The Outside Woman is a lost 1921 American comedy film directed by Sam Wood and written by Douglas Bronston.
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.