Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.
Ferrando
Despina
Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.
1989-07-04
0
Royal Opera House, Covent Garden, London Live showing of Verdi's Traviata with subsequent re-screenings Violetta, a Parisian courtesan suffering from tuberculosis, is throwing a party to celebrate her recovery. A young nobleman, Alfredo, plans to attend, and has long been in love with Violetta. Before long, Violetta has fallen for him as well, but Alfredo's father disapproves of their relationship. He convinces Violetta to leave Alfredo for the sake of his family's image, not realising how ill she really is. Richard Eyre's production of 'La Traviata' immerses the audience in the indulgence of 19th Century Paris, a vivid setting for Verdi's famous score.
Francesco Cilea's Adriana Lecouvreur concerns a doomed love based on a real story about an actress involved in a famous love triangle. Mirella Freni sings the title part in this production that was broadcast on television originally in 1989. Gianandrea Gavazzeni conducts the orchestra. Live from La Scala, 1989
After the destruction of Troy, the Trojan warrior Énée sets out on a journey to found a new dynasty. He meets Didon, Queen of Carthage, and falls in love. But will Énée's love for Didon prove stronger than his sense of duty? LES TROYENS ('The Trojans') is a tour de force of music that ranges from fiery military marches to intense choruses, passionate soliloquies – such as those of the prophetess Cassandre – and the lyrical love duets of Didon and Énée. It is Hector Berlioz's largest work and he wrote the libretto himself, drawing upon his intimate knowledge of Virgil's Aeneid. To the composer's disappointment, LES TROYENS was only performed once in full during his lifetime and was often presented in shortened form during the 20th century. The Royal Opera's production provides a rare chance to see this epic work in its entirety. David McVicar's staging is on an enormous scale, assembling one of the largest casts ever seen at Covent Garden.
A staging of Britten's opera filmed at the Teatro La Fenice in Venice in June 2008.
A live recording of Carl Orff's world-famous musical masterpiece Carmina Burana, performed by more than 100 singers and dancers of the National Opera and Ballet of Ukraine (Odessa).
A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.
An adaptation of Leos Janacek's opera Prihody Lisky Bystrousky (1925), based on the novel Liska Bystrouska by Rudolf Tesnohlidek. It follows the life of Sharp-Ears, a fox who is captured by a forester as a cub and raised in his home prior to escaping back into the forest.
Louisa Muller makes her Garsington directing debut and we welcome back Richard Farnes (Falstaff, 2018) to conduct with Sophie Bevan (Don Giovanni, 2012) as the Governess and British tenor Ed Lyon making his Garsington debut as Quint. A young governess is sent to a remote country house to care for two children. She becomes increasingly disturbed by their behaviour but is under strict instruction never to bother their guardian in London. Are they innocent or wicked, possessed or just high-spirited?
Based on the Béla Bartók opera, Duke Bluebeard reluctantly and gradually uncovers the secrets of his psyche to his fourth wife, Judit, opening the seven doors of his castle to ultimately reveal his still living previous wives, among whom Judit must take her place.
Film version of the Verdi opera about lovers on the run after the accidental death of the girl's father.
Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.
In June 2015, superstar tenor Jonas Kaufmann walked onto the stage of La Scala in Milan to perform a concert of Puccini arias. The concert made national news in Italy with the audience demanding five encores and a forty minute standing ovation. The film of this legendary performance, Jonas Kaufmann An Evening with Puccini, will be shown nationwide in over 300 movie theaters on February 23, and is available as a DVD and Blu-ray. Directed by Brian Large, the film includes an introduction about Puccini the man, the musician, the superstar narrated by Jonas and featuring rare archive footage. The program features a selection of Puccini s world-famous tenor arias all of which appear on Kaufmann s latest recording, Nessun dorma The Puccini Album.
L'ITALIANA IN ALGERI is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli. Rossini composed L'italiana in Algeri when he was 21 in either 18 or 27 days, depending on which source one believes (Rossini, not surprisingly, pegged it at 18). It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies. The plot, in brief: Isabella’s lover Lindoro has been kidnapped, and in her search for him she is shipwrecked and taken captive by Mustafa, Bey of Algiers. To her amazement and delight, she finds Lindoro among the Bey’s prisoners. Isabella hatches a plot that involves flirtation and stealth, and together she and Lindoro escape. Marilyn Horne, Pablo Montarsolo, Douglas Ahistedt, and Allan Monk star in this legendary Metropolitan Opera production conducted by James Levine.
Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.
The plans of a publicity agent to put on a charity concert are nearly wrecked by a lawyer who wants to take over a restaurant, but the situation is saved by local co-operation.
Women are put in charge of the city government for a day, and the mayor must go to the train station to greet an opera singer.
Based on a narrative poem by Sir Walter Scott and set against the backdrop of feudal Scotland, "La Donna del Lago" is one of Gioacchini Rossini's finest operas -- yet it's rarely performed. This video gives viewers a rare opportunity to see the work in its entirety. Filmed at Italy's famed Teatro alla Scala in 1992 and staged by German film director Werner Herzog, the opera features vocalists Ricardo Muti and June Anderson in leading roles.
In the early 1960s two artistic giants, conductor Herbert von Karajan and director Franco Zeffirelli, joined forces to create this milestone production of Puccini’s masterpiece at Milan’s Teatro alla Scala. Filmed in that legendary opera house in 1965, with Zeffireli himself directing for the cameras, this “Bohème” has been acclaimed universally for its unique theatrical impact and visual splendour. Starring the young Mirella Freni in her carreer-making performance. – For the first time the full dimension of opera on film.
John Copley’s colorful production, with designs by Beni Montresor, was created around the beloved superstar Luciano Pavarotti. As the simple, good-hearted Nemorino, he enchanted audiences with his larger-than-life personality as well as his golden voice. Enzo Dara as the quack Dr. Dulcamara provides the elixir of the title that helps Nemorino win the heart of Adina, the girl of his dreams, sung with youthful energy by Kathleen Battle.