Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Self
Self
Self
Self
Self
Self
Self
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
1967-11-15
5.167
Marco & Polo Go Round is a comedic love story with a very surreal twist. A couple confronts the difficulties in their relationship as gravity turns on its head and their world literally falls apart around them.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Constructed in 1955 to initially connect Kiruna in Sweden to Altavatn in Norway, the work with the Solitary road was stopped for military reasons. Five small villages had been connected by the road and they were left with a deserted 20 km stretch in the wilderness. Along the road Sami people and finish farmers continue their lives. They still have the road and they have brought really old cars over the ice of Torneträsk so they could drive during summer time. One of the old men that built the road, Sven-Erik Stöckel, writes a letter to the politicians in Kiruna, asking them to finish the road so people do not have to risk their lives getting to the road crossing the dangerous lake of Torneträsk. Will it ever be finished? And what happened to the children that were born as a result of the road workers coming into the wilderness meeting the local girls?
Vicente and Elena spend Sunday at their country house on the outside of Alicante. Vicente has bought a new canary because a cat that roams the area ate one of his canaries. Elena does not like birds in cages, but they are Vicente’s favorite pastime and they keep him company. Now they have to teach the new canary to sing.
A biopic of Agatha Christie including her 10 day disappearance.
The story follows a renowned detective reverting from retirement to resolve one final case, a personal case of great complexity.
A crusty old English General leads his eccentric family on a family picnic trip, and comic chaos ensues.
Two-minute excerpt from one of the World War One propaganda series by Dudley Buxton and Anson-Dyer, featuring a lightning sketch of Kaiser Wilhem receiving a telephone call.
Disputed with his father, Jay does everything he can to adapt himself to the city life as an immigrant.
IT CAME FROM BREMERTON! contains concert & rehearsal video clips & band interviews. MxPx: Mike Herrera, Yuri Ruley, Tom Wisniewski.Live concert footage filmed at The Blue Bird Theater, Denver, Colorado., The first ever video release from MXPX. This video is a retrospective that covers the bands entire history. Home video of early rehearsals, early gigs, mixed with interviews. From Bremerton, Washington to sold out tours across the country, get the full story on MxPx.
An evening of Christmas music from stars living in Beverly Hills, California.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at looking and being looked at. Beginning as a city state commission under the name and attitude of “Unschool”, the film became a kaleidoscope of the experiences, questions and wonders of a couple of high school students after a year of experiences with filmmaker Ana Vaz questioning what cinema can be. Here, the camera becomes an instrument of inquiry, a pencil, a song.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
This collection of David Lynch's short films cover the first 29 years of his career. Each film is given a special introduction by the director himself. His earliest underground films Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974) are showcased as well as two requisitioned works well into his successful career The Cowboy and the Frenchman (1988) and his addition for Lumière and Company (1995).
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
An experimental film that lifts the veil on the world of African American drag racing.
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
An experimental and poetic portrait of a woman.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
Jonathon "The Impaler" Sharkey threw himself into the race for Minnesota governor on January 13, 2006. His "coming out" to the media as a Hecate Witch, Satanic Dark Priest and Sanguinary Vampire grabbed international attention, and his candidacy marked the beginning of the largest amount of media coverage ever given to an unknown third party candidate running for governor in American history.
A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.