Tiempos circulares(2025)

Las aspirantes(es)

A story that explores the role of women in the Malvinas War. The protagonist, leader of a group of veteran nurses, commits suicide while this documentary is being filmed. Her companions took on her legacy and continue the fight for recognition in the face of the silence of history and the Argentine Navy.

Jessico, Una Historia de Rock en Tiempos Convulsos(es)

Rule Britannia(es)

A detailed account of each of the details of the Malvinas War based on interviews, dramatic scenes, maps and other elements of historical roots without ignoring the historical antecedents from the 18th century that ended in this confrontation.

Trabantem až na konec světa(cs)

Falklands' Most Daring Raid(en)

Documentary film about the then longest range bombing mission in history, which changed the outcome of the Falklands War.

Una carta de Leticia(es)

Indisciplinado. Historia de un proyecto político(es)

Soldier(es)

A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?

Javier Milei: la revolución liberal(es)

A portrait of Argentine libertarian politician Javier Milei.

Zombies in the Sugar Cane Field: The Documentary(es)

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

White Walls Say Nothing(es)

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Social Genocide(es)

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Memorias de Borges(es)

Documentary about the life and work of Jorge Luis Borges, from his own memories and reflections.

Leopoldo Jacinto. Vida de campeón(es)

Documentary about the life story of one of Argentina's sports idols. One of the forty-three soccer players who won a World Cup, a fight. Filmed in Mendoza, Santa Fé, Rosario and Buenos Aires.

Match 64: The Maracanã(en)

A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.

My Enemy's Enemy(en)

Reveals an alternate history of the post-war world. This is a version of history where, in contrast to what we are all told, fascist ideology prevailed. The story of Klaus Barbie, Nazi torturer, American spy, tool of repressive right-wing regimes, is symbolic of the real relationship that the "Western" governments had with fascism and makes us see the world as it is today - and the politicians that inhabit it - in a different way.

Jorge Luis Borges, the Mirror Man(fr)

The lifetime of the great Argentinian man of letters Jorge Luis Borges through narration and interviews of such key players in his life as Leonor de Acevedo —his mother—, María Kodama —his second wife—, and Adolfo Bioy Casares —his best friend and collaborator for decades.

The Dread(es)

The villagers of El Dorado, Argentina, shy away from doctors. Then again, they hardly need one. They have almost as many cures for ailments and illnesses as there are residents in the village. 65 year old Jorge can also cure the most dreaded ailment of them all, the much feared espanto.

Messi(es)

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

'78 Cup - The Power of Football(pt)

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.