Life. Before and after your morning cup of coffee.
Two women are far out in the woods. They are not wearing any clothes. And they have no plans to put clothes back on. Ever.
A stop motion 1930s fairy tale follows a monster that yearns to be a part of civilized human society. After an unfortunate mishap, the monster’s hopes of being one with the humans is put on trial.
Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.
Three completely different stories are told through dance.
With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing her tangled business affairs. Riggs decides to materialize as the girl's "angel", gains her unquestioning confidence, and helps himself to the deluded girl's millions. Just as he and his partner are about to flee Patria with their booty, Riggs realizes he has fallen in love with the girl and returns the money, together with a note that is part confession and part love letter. But the larcenous duo's escape from Patria turns out to be more difficult than they could ever have imagined.
A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth?
A spirit emerges from icy cold water to explore the beautiful snow covered garden she finds herself trapped within.
A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR. In color, with narration.
Memories haunt a man and blur the lines between reality and imagination.
Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake at Prospect Park in Brooklyn. Buzzy comes back as a ghost and summons his bookworm twin, Edwin Dingle, to Prospect Park so that he can help the police nail Jackson.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Dyke Hard is a failed rock group travelling to a battle of the bands competition in the big city. The journey is further filled with bizarre, fierce and passionate encounters with cyborgs, ghosts, a thai boxer, roller derby gals, ninjas, motorcycle gangs and a mysterious billionaire all of whom will do everything to stop the band from making it in time to the battle.
Five friends take a getaway trip and stay at Wonder Villa. But, the haunted villa's supernatural powers suck them in and their only chance to survive is by dancing.
Inspired by Arthur Rimbaud's utopian poetics, who dreamed of a universal language without words that directly touches the senses, Anatomy of the Faun acts at the limits between theater and performance. It seeks to dissect the infernal seasons and illuminations of the contemporary homoerotic scene. The mythological figure of the Faun, removed from his natural environment and placed in a city like São Paulo, is a guiding thread for this journey through the shadows and articular lights of metropolitan nights. Walking from disease to cure, this Faun is guided to the anatomy of a body that overcomes the failures of our humanity you have consumed.
Live from the Bolshoi Theatre, this 1978 remake of the two-act classical Christmas ballet blends Tchaikovsky's beloved melodies with superb dancing. Famed Bolshoi duo Yekaterina Maximova and Vladimir Vasiliev star in this production of Tchaikovsky's beloved ballet, The Nutcracker. Maximova dances the role of Maria, the young girl whose mysterious uncle Drosselmeyer gives her a wooden nutcracker (Vasiliev) for Christmas. When he comes to life, she rescues him from marauding mice and is taken to the Kingdom of Sweets.
Bernie, a frustrated real estate agent, finds some mysterious shoes that inspire him to pursue his true dream: dancing.
The fairytale story revolves around a young prince who - along with his entourage - is turned into a nutcracker through his own ungrateful and selfish behaviour, and awaits a kindly soul who'll release him from the spell. The mouse-king seeks the magic that made this happen so that he can become all-powerful. The prince (now a nutcracker) finds hope in the form of a girl who risks everything to help him become real again, while the mouse-king and his armies do everything they can to steal the magic for themselves.
Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min
A feisty 18-year-old Italian-American New Yorker named Cindy is sent off to Rome with her irascible stepmother and vain stepsisters. On the way, she meets and falls in love with, globetrotting bagpacker Mizio, who eventually turns out to be of Italian nobility. There's a fairy stand-in in the form of a spaced-out astrologer, a dance, and she even loses a shoe at one point. Care to venture a guess how it all turns out?