The Rev. Jeff Mosier (Blueground Undergrass) was contracted by Phish in the Fall of 1994, to help them learn Bluegrass. They flew him to Michigan and Mike Gordon picked him up in a limo, and they had their first lesson on 11/14/1994, same night as Grand Rapids.
Himself
The Rev. Jeff Mosier (Blueground Undergrass) was contracted by Phish in the Fall of 1994, to help them learn Bluegrass. They flew him to Michigan and Mike Gordon picked him up in a limo, and they had their first lesson on 11/14/1994, same night as Grand Rapids.
1994-01-01
8.5
On Halloween 1994, Phish performed The Beatles' White Album. The band played every song on the double album except "Good Night", which was played over the P.A. at the end of the set ("Birthday" was covered as an instrumental, during which Fishman presented a birthday cake to Brad Sands, the band's road manager). Before the band took the stage for their second set, the sound technician began playing "Speak to Me" over the PA, leading the audience to believe the band was about to play Pink Floyd's The Dark Side of the Moon. However, just at the moment "Breathe" would have begun, the recording immediately cut to a sample of Ed Sullivan introducing The Beatles from their famous February 9, 1964 appearance on his show. The band promptly leapt into "Back in the U.S.S.R."
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
At the turn of the 20th Century amongst tension between China and Japan, a Japanese swindler in Shanghai plans to profit by selling weapons. He steals arms from the Japanese military and sells them to the rich Chinese.
After an outspoken hotel manager is framed for murder, clearing her name becomes a matter of life and death when she uncovers a secret crime ring within the elite hotel.
A short documentary portrait of a 51 year old man who lives near Sinj in Dalmatian hinterland. It's also a film about film, or more exactly, about the process of making a documentary film, in which the author and the protagonist fight for control over the story and content. It's not important who the winner of this battle is, because their joint effort to make a film represents a testimony about our differences and peculiarities. This film shows how the adventure of shooting a film can be utterly unpredictable, and also a great fun.
Santhosh falls in love with Pooja, but she does not believe in love and refuses to reciprocate his feelings. Later, Pooja encourages her friend Priya to build a bond with Santhosh.
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
The leftover disbanded partisan battalion draws Chetniks' attention, who push their plans of attacking the partisan headquarters aside and start hunting them instead.
Presented by award-winning historian Dr Clare Wright (The Einstein Factor), Utopia Girls tells the fascinating, little known story of how Australian women became the first in the world to gain full political rights. Women in the 19th century had virtually no political rights. Once they married they signed over everything to their husbands (including their children). If the marriage turned abusive it was almost impossible to escape. Worse still was the fate of unmarried mothers. Improving the lot of all women could only be achieved through political representation. This representation came about through the vision and hard work of five remarkable women - Caroline Dexter, Henrietta Dugdale, Louisa Lawson, Mary Lee and Vida Goldstein. With their comrades, they would carry the flag over half a century until a newly federated Australia could claim its title as a uniquely democratic nation, but their stories were not without personal trials and crushing setbacks.
A look at the story behind the bestiality tape ANIMAL FARM. From its production in early 70's Denmark, to when it was smuggled to the UK and distributed in 1981.
You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.
Set 1: Good Times(Sam Cooke cover) (Cover of Grateful Dead's… more ) Hell in a Bucket(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) Jack Straw(Grateful Dead cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) (>) Cassidy(Bob Weir song) They Love Each Other(Jerry Garcia cover) (1973 version) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Set 2: Deal(Jerry Garcia cover) (>) Playing in the Band(Bob Weir song) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'Unusual Occurrences in… more ) Uncle John's Band(Grateful Dead cover) (> 'Playing in the Band'… more ) Morning Dew(Bonnie Dobson cover) Encore: Ripple(Grateful Dead cover)
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) (>) Loser(Jerry Garcia cover) High Time(Grateful Dead cover) (Oteil vocals) Samson and Delilah([traditional] cover) Althea(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) (>) Bird Song(Jerry Garcia cover) Set 2: Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Estimated Prophet(Grateful Dead cover) (>) Eyes of the World(Grateful Dead cover) (>) Drums(Grateful Dead cover) (with Oteil on banjo bass and… more ) Space(Grateful Dead cover) (>) Days Between(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) Encore: Truckin'(Grateful Dead cover) (>) Brokedown Palace(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) (Reprise from 7/14)
Examine the history of bluegrass music, from its origins to its eventual worldwide popularity, and hear from dozens of musicians who explain the ways bluegrass music transcends generational, cultural and geographic boundaries.
Jerry Garcia, legendary lead guitarist for the Grateful Dead and David Grisman, virtuoso mandolinist and founder of "Dawg" music… Now, for the first time ever, the musical matrimony and extraordinary friendship of Garcia and Grisman is traced in the award-winning documentary Grateful Dawg.
No single figure in American music so dominated a genre as did Bill Monroe with bluegrass. BILL MONROE: FATHER OF BLUEGRASS MUSIC features performances by Bill Monroe & the Blue Grass Boys, Lester Flatt, Emmylou Harris, Paul McCartney, the Osborne Brothers, Dolly Parton, Ricky Skaggs, Marty Stuart, John Hartford and a once-in-a-lifetime Blue Grass Boys reunion featuring Del McCoury, Chubby Wise and Bill Keith. The film features archival footage and rare 1990s performances from Monroe's final years including many of the greatest songs from his six decades of recording.
In a small Southern town, a plantation owner is duped into thinking a thief is a kind stranger. To repay the stranger for stopping a robbery, the plantation owner invites him to his home to meet his daughter.
An intimate portrait of the acclaimed North Carolina band The Avett Brothers, charting their decade-and-a- half rise, while chronicling their present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.”
The life and times of The Carter Family, one of the earliest and most-influential group in American country and roots music.
Fronted by one of the most accomplished banjo players of his time, Bela Fleck and the Flecktones are captured live in concert on Live at the Quick. The versatile band performs just over a dozen songs including such radically different compositions as "Amazing Grace," "Big Country," "Hoedown," and the prelude from a Bach violin concerto.
Eleven time Fiddler of the Year and even a Grammy nominee, but that's just part of the story. Though born with disabilities that left him blind and partially deaf, Michael Cleveland is considered by many to be the greatest fiddler of all time.
Set I: Playin in the Band > Deal > All Along the Watchtower > Mr. Charlie, Ramble On Rose, They Love Each Other, High Time > Playin in the Band (reprise) Set II: Sugar Magnolia > Help on the Way > Slipknot! > Franklin's Tower > Estimated Prophet > Drums > Space > The Other One > Standing on the Moon, Sunshine Daydream Encore: Ripple
The Closing Of Winterland documents the Grateful Dead's landmark New Year's Eve 1978 concert that marked the end of the famed San Francisco Bay Area venue Winterland Aena. The Dead celebrated the closing as an approximately five-hour-long party (complete with breakfast with the audience at dawn) and invited some guests including guitarist John Cipollina of Quicksilver Messenger Service and Ken Kesey as well as actor Dan Aykroyd who provided the midnight countdown.
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
Presenting Goose's 'Fred The Film', a 2 hour music documentary showcasing some of the band's favorite moments and songs from Goose's first festival, Fred! Enjoy behind-the-scenes footage, as well as 7 song selections from the weekend.
Set I: The Music Never Stopped > Easy Answers > The Music Never Stopped, Row Jimmy, Friend of the Devil, Cumberland Blues, Cassidy > Mississippi Half-Step Set II: St. Stephen > William Tell Bridge > The Eleven > He's Gone > New Speedway Boogie > Drums > Space > I Need a Miracle > Death Don't Have No Mercy, Good Lovin Encore: Black Muddy River
For one historic evening, American music legends Earl Scruggs, Doc Watson, and Ricky Skaggs joined forces as The Three Pickers, to film a concert for public television. The music they made before a North Carolina audience is as relaxed as a front porch picking session. Informed by the skill and good humor of the three master musicians who contributed so much to the creation and evolution of bluegrass music. With special guest Alison Krauss.
Longtime fans of bluegrass music and those only recently discovering it will appreciate this documentary on the genre, which was born of a combination of African and Celtic sounds and is the base of American country music. This film traces the musical form from its Appalachian roots to the present. The rise, fall, and consistent revival of bluegrass chronicled through oral history and visual record, resulting in a priceless film that even casual fans are sure to enjoy.
Indie folk heroes Edward Sharpe & The Magnetic Zeros, Tennessee’s Old Crow Medicine Show, and Britain’s acclaimed Mumford & Sons, climbed aboard a beautiful vintage train in California, setting out for New Orleans, Louisiana on a “tour of dreams”. The resulting film from this journey is nothing short of magical. Part road movie and part concert film, BIG EASY EXPRESS bears witness to the birth of a new musical era. With poignancy and beauty, Malloy documents these incredible musicians as they ride the rails and wow the crowds, from Oakland… to New Orleans.