A Primavera Há de Chegar(2022)

The Mark Of The Day(fr)

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

La Chinoise(fr)

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

1900(it)

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

mondano(it)

Twentieth Century(en)

In this remake the Bertolucci's 1900, Olmo Dalco and Alfredo Berlingheiri's complicated friendship and struggles with the constantly changing political scope are chronicled as well as the rise of fascism and the communist revolution.

The Lower Depths(ja)

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

The Knot(hi)

Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.

Hostile Architecture(en)

Kirsty must survive an afternoon in the city centre until her accomodation can be arranged at a homeless shelter.

Europe '51(it)

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Tear It Down(fr)

In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.

Slaps & Kisses: The Great Reunion(pt)

In the special episode of Tapas & Beijos, titled "The Great Reunion", Sueli and Fátima come together five years after the series ended. They navigate new challenges and humorous situations, showcasing their characteristic friendship and irreverent humor. The episode serves as a nostalgic farewell, celebrating the best moments of their chaotic lives while addressing relatable issues.

A Morte do Brasil(pt)

Lunch Break(pt)

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

No One Loves Anyone For More Than Two Years(pt)

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Hellday(pt)

In Salvador, a young police officer named Bruno faces the criminal evils of Brazil, having to abandon his own moral issues in search of revenge.

Brenda Lee and the Palace of Princesses(pt)

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transsexuals", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for trans women who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transsexuals are welcomed by Brenda, who teaches them to want more out of life.

Vestido Branco com Listras Vermelhas(pt)

Enough Praying(es)

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

Vera Ars Orbis?(pt)

What is the true meaning of the art?

Echebka (الشبكة)(ar)

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...