A remake of the 1971 film, a romantic drama that explored themes of intersexuality, and one of very few to tackle sexual orientation in General Franco’s ultra-conservative Spain.
A remake of the 1971 film, a romantic drama that explored themes of intersexuality, and one of very few to tackle sexual orientation in General Franco’s ultra-conservative Spain.
0
Rahul Joshi wants to be a successful businessman so he works hard for his boss Siddharth. One day Rahul meets Seema, an up and coming model, and he feels like he's finally met his match. Will Seema fall for Rahul?
A scheming wife lures an insurance investigator into helping murder her husband and then declare it an accident. The investigator's boss, not knowing his man is involved in it, suspects murder and sets out to prove it.
When his father is lynched by a mob after being framed by a gangster, a young boy leaves his village along with his pregnant mother and flees to Mumbai. He takes up a life of crime and swears to avenge his father. A remake of the 1990 film.
A man has only three and a half days and limited resources to discover why he was imprisoned in a nondescript room for 20 years without any explanation.
An aspiring opera singer finds herself transported back to Victorian-era London -- and into the arms of a reclusive, disfigured maestro determined to make her a star.
A group of friends from high school days reunite for once more time before one of them dies from cancer.
Misunderstanding separates a poor but honest sheet-music salesman from his wealthy fiancée. But circumstance places him on the board of an exclusive girls’ school, where he can prove his integrity, as well as his love.
Anna learns in prison that her mother has passed away in Seattle. Prison officials grants Anna a three day furlough to attend her mother's funeral. Anna embarks on a long trip to Seattle. Hoon is a Korean immigrant who works as a gigolo. Hoon is now on the run from a wealthy client's furious husband. These two seemingly lost souls are about to share three memorable days together.
A widowed mother and her two sons move to Baltimore and struggle to adjust to urban life, encountering numerous eccentric characters along the way.
The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.
After a rehearsal with her band, Tess meets Edward, and the two find themselves entangled in a deadly game of consequences. A remake of Carlo Lizzani's 1983 film "The House of the Yellow Carpet" which switches its subgenre from Italian giallo to British psychodrama.
Sarah returns with her father and uncle to fix up the family's longtime summerhouse after it was violated by squatters in the off-season. As they work in the dark, Sarah begins to hear sounds from within the walls of the boarded-up building. Although she barely remembers the place, Sarah senses the past may still haunt the home.
A widowed Nevada rancher goes to Italy and marries the sister of his deceased wife and brings her back to the ranch, but his haunting memories of his lost love and her tendency to drift away to other men cause the two to have a tough time at keeping a marriage together.
A remake tale, the story begins with Venkatadri (Venkatesh) who has great respect for Varadarajulu Naidu (Prakash Raj) as he saves his life. However, he keeps getting into fights wherever he sees injustice. To bring some discipline, Venkatadri’s uncle (Tanikella) sends him to Varadarajulu Naidu as his personal bodyguard.However, Varadarajulu’s enemy Siva Reddy (Kota) wants revenge and he wants to kill Keerthi (Trisha), Varadarajulu’s daughter. Knowing this threat, Venkatadri is assigned the task of protecting Keerthi. But she along with her friend Swathi (Saloni) don’t like the bossy and over protective nature of Venkatadri.To play a prank, Keerthi starts calling Venkatadri from a private number and says she is in love with him. After few hesitations, Venkatadri starts falling in love with the caller not knowing it is Keerthi.
Fely is an elderly woman who finds second chance at youth after a visit to a mysterious photo studio.
Issues that make gender identity a social construct are exposed through the relationship between a teenager, a mother and the place where they live.
It tells the story of a group of young men who are wounded by the events of the terrible events of their 18 years of life, including being branded as prisoners, addicted to drugs, and even facing trauma after a loved one is assaulted. Even if they wanted to transform themselves into the people that society expected them to become, in the end there is a turning point that brings them back to fighting the dark side of life again. 18 Rain is a remake of an original film released in 1997 by director Poj Arnon.
Kalyani is abandoned by her lover when her father disowns her. However, her father has a change of heart and she is forced to hire a thief, Vishnu, to play her husband in front of him.