Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.
Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.
1928-03-26
0
A Parisian cop sets out to solve a sudden series of crimes, including robbery and blackmail. Based on a novel by Émile Gaboriau.
Henry Egbert Xerxes' big chance as a cub reporter comes when he is assigned to track down a gang of counterfeiters which gathers regularly at the Red Dog Inn. As he leaves the office, Henry witnesses a girl being dragged into a cab -- the same girl he had seen that morning passing counterfeit money. Henry follows, but on overtaking the cab, he finds it empty. At the Red Dog Inn, he discovers that the girl is being held captive. After a series of rough and tumble adventures with the resident thugs, he and the girl escape, after which he rushes home to write up the story. When it fails to appear in print, Henry storms into the city room only to discover that the entire business was a hoax, intended to test his reporter's instincts.
An American adventure film serial comprised of fifteen episodes of two reels (24 min) each. All chapters are presumed lost.
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
Babs Van Buren saves her lover from the electric chair and at the same time extricates her older sister, Connie from a trying situation.
Holmes and Watson match wits with an opera star intent on blackmailing a king.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
A reporter and a detective team up to solve the murder of a nightclub singer who had been involved in a divorce scandal.
Jack Lane (William Stowell) has made an invention for photographing wild animals. It consists of a camera with a trigger -- when the trigger is stepped on by a passing animal, a flash goes off and the camera shoots the picture. Lane goes up to the mountains to try out his new contraption. When a recluse refuses to let him spend the night in his cabin, Lane goes to sleep out of doors, with the camera set up near by. In the middle of the night, he is awakened by the flash and the sound of gunshots. Trekking back to his own cabin the next day, he develops the picture, which is of a girl holding a rifle. He returns to the recluse's cabin where he is arrested for murder.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Holmes goes on the trail of a Rembrandt painting, stolen by a drug-addicted artist.
Cal Stanley goes undercover as a beef buyer in order to catch the gang responsible for stealing the area's cattle.
A young American man arrives in London to claim an estate he has inherited. One of the conditions is that he signs a paper stating he will never sell the estate. When he arrives at the estate he now owns, he runs into a ring of American gangsters there and discovers that the estate is the site of some buried pirate treasure.
A man assists a woman to dispose of the body of her stepfather....
Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.
Feature version of the American serial film, produced for export only, never exhibited in the USA, and believed to be a lost film.
Feature version of the 1942 American serial film of the same title, prepared for the export market, never seen in any media format in the United States, and apparently a lost film.
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.