At The Ballet is the rise and fall of a Prima ballerina.
Shots are fired at a woman as she runs through the forest. At the same time, two brothers turn on to a forest road. Their paths will soon cross in a suspenseful film with supernatural elements - where nobody is what they seem to be.
"Candace Van Houten finds her Senate campaign at the center of controversy after an unexpected discovery, forcing her team to begin damage control."
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.
On the verge of a nervous breakdown, a school teacher finds the wisdom she needs in the most unlikeliest of places.
Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.
Maya has for several years stayed away from Sweden and lived a fluttering life in southeastern Asia. But when she finds out that the only person she still has contact with in Sweden is about to die, she must quickly find money for the ticket home. She finds out that she cannot trust anyone, because she herself has cheated everyone.
Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.
In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.
At the end of the 1990s the Internet comes to Northern Norway and coincides with the sexual awakening of young Mads (12). The introduction of pornographic images into his life complicates his relationship with his parents, and their house becomes a minefield filled with uncomfortable interactions.
Ainhoa is 8 years old and has left home with her school bag, a Playmobil figure and a secret plan.
A Canadian woman with two working class boyfriends writes letters to them, breaking off with one of them while professing her love for the other, but fears that she mixed up the letters.