I, The Camera(NaN)

Grid(pt)

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Electroma(xx)

Two robots embark on a quest to become human.

Variations on Iserois Landscapes(en)

Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.

The Afterlife(en)

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.

Friend of the World(en)

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Jesus Is King(en)

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

Godard Cinema(fr)

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Resurrection(zh)

In a world where humanity has lost the ability to dream, one creature remains entranced by the fading illusions of the dreamworld. This monster, adrift in reverie, clings to visions no one else can see — until a woman appears. Gifted with the rare power to perceive these illusions for what they truly are, she chooses to enter the monster’s dreams, determined to uncover the truth that lies hidden within.

The Beaches of Agnès(fr)

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Las Preguntas que Perdimos(es)

No Signal(en)

All she knows comes from the screens. All she has known is the screens. A screen breaks and everything changes.

Jo(en)

Jo; or The Act of Riding a Bike is Zefier's third film.

Documentary: Moving(cs)

Amateur documentary film about the process of moving. A boy, Jakub, decides to make a documentary himself after a tour of one of the apartments. The documentary shows the whole story of how he, his parents and younger brother move to a bigger apartment. The result is an emotional rollercoaster that deals not only with the move, but also with the family itself.

The Contact(az)

In search of housing, a student stumbles upon an advertisement for renting an apartment at a very reasonable fee—and promptly agrees with a woman who recently laid her son to rest, complying with all her conditions. The young man settles into the apartment and gradually becomes a witness to inexplicable mystical phenomena.

Outtakes from Jo(en)

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

Kino Kopf(en)

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

Baby Invasion(en)

In a first person shooter game leaked to the dark web, a group of mercenaries disguised with baby faces invade mansions of the wealthy and powerful with murderous intent. However, as gamers livestream the game, the protagonists’ gang of horrific murders may or may not be happening in real life.

The Universe(en)

In a last-ditch effort to save earth, a man sacrifices himself and is forced to relive a series of suppressed memories that become smeared by the detonation of a stellar bomb. This paranormal explosion of thoughts begin to blur the lines between reality and fiction; the only way out is forward.

It Dawned on Me(en)

Depicting the sun rising on a midwestern winter landscape filmed over 1 hour and 10 minutes, this film explores the relationship between natural light and the illusion of passing time through superimpositions and high framerates.

Godard by Godard(fr)

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.