heroes

Top 9 Billed Cast

Salem Rao
Salem Rao

Narrator & Himself

Adrian Bifolchi
Adrian Bifolchi

Himself

Jo Scott
Jo Scott

Themself

Kai Kuelz
Kai Kuelz

Himself

Kai Grenier
Kai Grenier

Himself

Mikhael Klassen-Kay
Mikhael Klassen-Kay

Himself

Nicholas Ginther
Nicholas Ginther

Themself

Minh Tam Huynh
Minh Tam Huynh

Themself

Sky Ravinn
Sky Ravinn

Themself

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Similar Movies

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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Workers Leaving the Lumière Factory
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Workers Leaving the Lumière Factory(fr)

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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

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In a 2014 artist statement, Kevin Jerome Everson wrote, "The main thing I like doing is filming people of African descent, black folks, who are really good at what they do... engaged in something that is an internal language." Indeed, blink and you might miss this cowboy's lightning-quick way with a lasso. He shows his stuff in an impressionistic montage, flashing a winning grin. - Max Goldberg

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Australia: Land Beyond Time(en)

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T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s(en)

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The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

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The Botanical Avatar of Mademoiselle Flora(fr)

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