Dick Whittington
Bow Belles
Tom Cat
Roberta / Ensemble
Amanza / Ensemble
Ensemble
One in a series of twelve films in which the great French mime Marcel Marceau performs some works from his repertoire. In his introduction he describes this pantomime as having a theme that goes beyond time, an allegory showing a man trying to escape an enclosure of invisible walls. He also suggests that it stands for our freedom of choice, stating that for the limited span of our life on earth, we must struggle for the enlightenment of humanity and search for a way out of the cage
Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.
A proper local legend. Married five times. Mother. Lover. Aunt. Friend. Alvita will tell her life story to anyone in the pub – there’s no shame in her game. The question is: are you ready to hear it? Because this woman’s got the gift of the gab: she can rewrite mistakes into triumphs, turn pain into parables, and her love life’s an epic poem. They call her The Wife of Willesden... A play that celebrates the human knack for telling elaborate tales, especially about our own lives. Zadie Smith transports Chaucer’s The Wife of Bath to 21st Century North West London, directed by Kiln Theatre Artistic Director Indhu Rubasingh. A production from Kiln Theatre
The League of Gentlemen Are Behind You! is a pantomime-themed stage show by The League of Gentlemen. The whimsical, pantomime nature of the show was a departure from their trademark dark humour. This performance was filmed at the Hammersmith Apollo.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.
This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.
A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love. The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.
Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.
short from of Series “The Art of silence: pantomimes with Marcel Marceau and his partner Pierre Verry”. Mime makes the invisible visible and the visible invisible. Marceau’s sometimes comical - but always graceful - interpretation of The Painter in Central Park allows the viewer to “see” objects which are not there.
Live from Stratford-upon-Avon. The Royal Shakespeare Company presents The Taming of the Shrew. Turning Shakespeare’s fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
John Hodge's Collaborators centers on an imaginary encounter between Joseph Stalin and the playwright Mikhail Bulgakov.
The Kitchen, Arnold Wesker’s "extraordinary black comedy," is directed by Bijan Sheibani and features an ensemble cast of 29 actors. The production is set in a restaurant in 1950s London.
The innovative interweaving of romance and math was conceived. The 2008 Olivier Award winner for Best New Play, it has toured the world and was recently performed in New York as part of the Lincoln Center Festival.
Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
Separated at birth, two sets of twins collide in the same city for one crazy day, as multiple mistaken identities lead to confusion on a grand scale.
In a remote village in Eastern Europe, around 1900, the young Motl Mendl is entranced by the flickering silent images on his father's cinematograph.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.