A documentary part of CBS reports. The plight of mental patients fit for discharge, but who find themselves thrust into communities unprepared to treat or accept them is the focus of this documentary narrated by Bill Moyers. The dilemma of being as scared of getting well as of remaining ill and facing a world with no home or job to go to is vividly portrayed as the film follows three patients as they move into rare transition programs.
1978-07-01
8
Performative and expository documentary, which highlights the contrast of experience among transgender men in Brazil. The short film brings five characters - Kenai, Caetano, Augusto, Pietro and Daniel -, each one reflecting a different reality.
Black Mold Exposure explores the bizarre illnesses associated with exposure to toxic mold and the film participants' difficult task of regaining their health and lives in an atmosphere of political and social intolerance and disbelief. Black Mold Exposure is a first-ever look into the lives of those claiming to be ill from mold and the controversial and volatile climate surrounding it.
Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.
Focuses on the state of the Quebec health system in the early 1970s. This film reveals the harsh reality of emergency rooms. There, medical teams, facing a serious shortage of staff, are facing a real invasion of patients. The technical means, often insufficient, make the task even more difficult.
The trembling starts in his neck when Markus gets closer to the images that have chased him for 49 years. Now he steers his motor home south, as far away from his past as possible.
Documentary Film maker, Mark Brown, attempts to discover the damaging effect the over-spilling immigrant population has on the coastal city of Calais, France.
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.
October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.
For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?
"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.
Western culture treats mental disorders primarily through biomedical psychiatry, but filmmakers Phil Borges and Kevin Tomlinson reveal a growing movement of professionals and survivors who are forging alternative treatments that focus on recovery and turning mental “illness” into a positive transformative experience.
Eco-Terrorist: The Battle for Our Planet follows the most wanted environmentalist today, Captain Paul Watson. In this unique and groundbreaking film, Brown takes a deeper look into what really goes on behind the scenes in the deep waters of our world. More pranks, the glory of successful missions, and fiercer encounters with some of the most infamous and illegal marine hunters, while stopping at nothing to protect wildlife on a global scale. The film takes the audience right to the frontlines of the modern day environmental movement via those who started it.
In the year following the 9/11 terrorist attacks, young journalist Claude Baechtold finds himself in the war zone of Afghanistan. Not entirely voluntarily, the avowed anti-militarist is dragged by two fearless reporters on a round trip through the entire country.
In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.
Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.
13-year-old Khodor is a child whose family tries to issue him an ID document that proves his existence and gives him the right to education, health-care and movement outside of the Palestinian refugee camp of Shatila in Beirut, Lebanon. Through the process, many of the family's old secrets are revealed.
In 2001, satellite imagery captured a mysterious “thermal anomaly” on an unexplored volcano at the ends of the Earth. What lies inside could provide new clues to help predict volcanic eruptions around the globe. But the island is so remote with conditions that are so extreme. No one has ever been able to reach the top to investigate what lies inside.. until now.
After Lisa's brother mysteriously dies, she and her college friends go to her family home for answers. They are shocked to discover that his killer was non-other than the Christmas demon, Krampus.
Ko-Ko the Inkwell Clown and a baby get caught in a hurricane.
Kombat Kids is Mortal Kombat meets Muppet Babies, with a helping of South Park. It tells the heartwarming (and ripping) story of how Kombat began and features fan favorite characters like Scorpion, Liu Kang, Johnny Cage and Kitana.
A young boy in the suburbs is haunted by his sins when trying to contribute to his local community.
Tokyo is a mere five-hour flight from Hong Kong but it is a totally different world. Sarah (Josie Ho) has come to Japan seeking to buy an investment property and to have a brief and restful holiday after a bad break-up with her boyfriend. Everything has been precisely arranged in advance; from the schedule, to the hotel, to the real estate broker and the site visits. Immediately after her arrival, things start to go terribly wrong.
Willi endeavors to survive in a world where annihilistic galactic battles rage, by taking a job at the centre of power. But it's the wrong side that he takes in this civil war...
“We never know how high we are till we are called to rise” could be the motto of this stunningly filmed, high impact and suspenseful motion picture that is based on a true story. Solomon Kalushi Mahlangu is a teenage hawker who is drawn into the liberation movement to fight against an oppressive apartheid South African government. When he and his comrades are accosted by police while on a mission he is charged with two counts of murder. He is in a fight for his life and must prove his innocence.
When AIDS struck in the early 1980s, a scientist and a movie star did not have to respond - but they did. Dr. Mathilde Krim and Elizabeth Taylor joined forces to create amfAR, the Foundation for AIDS Research. The fight against HIV has never been the same. The Perfect Host reveals how two powerful and very different women came together, and what their combined efforts achieved. With passion and wit, Taylor wielded celebrity as a weapon against government indifference while Krim's commitment to science ensured support for the most promising research areas. Today, the only man cured of AIDS can thank research championed by Mathilde Krim. Visually dazzling and emotionally compelling, this story offers a surprising perspective on the still ongoing fight against AIDS.
Unbeknownst to the Spencer Davis Group, their manager is upper class, grew up in a haunted manor, and is called Algernon. When they visit his home, they find out that the family is broke, they don't have the money to pay the servants, and their home is going to ruin. Spencer suggests that they advertise the home (and the ghost) and charge admission.
Trecartin returns to his conception of family-as-business-enterprise, casting parent figures as managers and executives on one end of the spectrum, estranged children as freelancers on the other. The director plays four sisters named Ceader, Britt, Adobe and Deno, the boundaries of whom are indistinct. It is difficult to tell where one sister ends and the next begins. The sisters' questing—for identity, for romance, etc.—leads them on an episodic series of adventures, several of which are defined as "premises." A Trecartin premise plays out as a predetermined situation where the character initiating it has already set the tone, terms, and trajectory of the experience in their mind. The actual, lived event serves only as the shading-in of the outline.
Kelly is whisked off into Prince Aramour's harem and given to his enemy as tribute in this romantic tale of capture and rescue.
“Let’s see if you gained any weight. 26,3 kilogram. Ahmet, you need to eat more. Double meals.” Like other boys their age, Baran, Ahmet and their classmates wrestle with the desire for recognition, with homesickness and with their target weights. Most of all though, they wrestle with, and against, one another. They are comrades and competitors, united by one and the same dream: Olympic gold! In their wrestling academy in the Turkish province of Amasya, which is well known for this traditional form of combat sport, they undergo strength and endurance training, they learn lifts and throws, they urge each other on and they console one another. Always responding to the boys’ needs, the trainers give the boys tough love, sometimes fatherly, sometimes strict and disciplinary. The film’s intimate documental camera bears close witness to the fine line between friendship and competition, victory and the lesson of how to lose.
The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.
Murder By Proxy: How America Went Postal is a documentary that examines the phenomenon of spree killing, particularly in a workplace, that became known in the United States as “going postal”. The film argues that the phenomenon originated in the United States Postal Service as a result of hostile work environment following the Postal Reorganization Act of 1971 and then spread to the rest of society.
An author tries to investigate a decades old mystery and finds himself stuck in his own ghost story.