Tetsutarō
Tomoko
Kan'ichi Furukawa
Yoshitake
Hajime Hirose
Matsue
Eisuke Murata
A comedy about the lives of people living in the shopping district of Osaka.
1989-08-05
0
Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.
When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
In late 90s Osaka, three people from various walks of life meet by chance. They team up to orchestrate a complex financial con targeting crooked businessmen in an attempt to solve their respective financial woes.
A family drama is born that depicts the youth of the heroine, who dreamed of working at an expo with the desire to connect with people all over the world, and her family, with a heartwarming touch.
A treasure appears in front of antique dealer Norio Koike (Kiichi Nakai) and potter Sasuke (Kuranosuke Sasaki). The treasure is Hideyoshi Toyotomi’s chawan (procelain tea bowl) called Houou, that has been missing.
The Fable is a legendary yakuza hitman equal to none—but his boss orders him and his sultry associate to lay low and learn how to live a "normal life" in Osaka.
Daisuke is in the 2nd grade of high school and he plays on his school's baseball team. Daisuke then takes part in a gourmet contest with 3 of his friends and 2 girls, including Miki, from a nearby girls' high school. The gourmet contest is held to revive the village.
The action takes place in a city where you can live on only 100 yen a day. The "General", who indulged in gambling with his henchmen all day, he was running his business and hitting him with a taxi turned out to be a trifle for him. A unique work, filled with tears and laughter, praising the beautiful human love that blooms at the bottom of life, focused on the genius “General” who lives in the troubled city of Kamagasaki.
A not-so-heartwarming tale about capsule toys, the nightmare of obsession, jealous rage, and a slimy, stop-frame animated tiny monster.
A former American G.I. joins a yakuza family after his release from prison in post-World War II Osaka.
Coco, a Beijing modern girl wants to spend a romantic and fancy Christmas vacation in Osaka. However the place where she gets in is Shinsekai ( "New World" in English, is an old neighbourhood located next to south Osaka city's downtown "Minami " area, as known as one of the most poorest and dangerous area in Osaka.)When she arrives there, she starts feeling regret and frustrated by the encounters and the landscapes which are far beyond her expectation. Suddenly she is involved in an incident surrounds a Chinese family there, meanwhile she starts fascinated by Shinsekai through her wondering. In this short and unusual Christmas vacation, Coco discovers a "Japan " she never knows and a "China" that she is not familiar with.
Despite his efforts of living a normal life as a banker, the life of Toru, the only son of the Yubari Family, becomes disrupted by trouble brought on by his father. When his father’s battle against his rival group the Miike Family ignites, Toru becomes more involved in the turf war than he wished for.
Live DVD release from Aya Ueto includes footage of her "Best Live Tour 2007 Never Ever" tour recorded live at her September 1, 2007 tour finale at Zepp Osaka.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
Turbulent life of Kiwa, the successor of the most prominent yakuza in Osaka, the Domoto Clan.
Kamagasaki is an "invisible" slum of Osaka that attracts day laborers and prostitutes since WW2. When the local gang has its treasured cauldron stolen, a war to find it begins involving the thugs, a 12 years old kid, a prostitute and a pickpocket, including the giant cauldron used to feed the destitute: The symbol of Kamagasaki.
Kota hears about an impending 1.5 billion yen gold bar heist from his friend Kitagawa, a former college classmate, and decides to take part. The gold bar sits in the basement of the HQ of Sumita Bank. Helping Kota and Kitagawa are bank security employee Noda, a North Korean spy pretending to be a college student, Kitagawa's younger brother Haruki and a former elevator engineer. These 6 men are about to carry the boldest of schemes to bypass the bank's high-tech defense system.
Launched in 2011 as a sister group to girl band behemoth AKB48, the Osaka-based NMB48 has become a musical force itself. With a string of No.1 hit singles and albums, not to mention sell-out performances, NMB48 continues Japan’s pop-music phenomena. Director Funahashi Atsushi, whose documentary work has previously chronicled such harrowing events as the Fukushima nuclear meltdown, pulls back the curtain on the life and struggles of the band members and the workings of the idol-making industry.