
Billy Wilder Speaks
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The Arrival of a Train at La Ciotat(fr)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

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A documentary about the career of director Jack Arnold at Universal-International Studios. (An early version of this film, only 20 minutes in length, was screened in 2012.)

Caligari: When Horror Came to Cinema(de)
On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.

Serbia, Year Zero(fr)
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The Last Sequence(it)
A documentary on Fellini’s lost alternate ending for 8½

La La La(fr)
When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

Anjelica Huston on James Joyce: A Shout in the Street(en)
An account of the life and work of Irish writer James Joyce (1882-1941) narrated by US actress Anjelica Huston.

Hearts of Darkness: A Filmmaker's Apocalypse(en)
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Bresson: Without a Trace(fr)
An episode of the television program Cinéastes de notre temps in which the director gives his first on-camera interview.

A Look at the World of 'Soylent Green'(en)
This promotional short film for "Soylent Green" (1973) begins by showing clips of films that depicted what the future might be like beyond Earth. The narrator then discusses the origin of the idea depicted in "Soylent Green." Director Richard Fleischer and star Charlton Heston discuss how an upcoming crowd scene will be filmed. Then we see what happens when the crowd riots because there is not enough food available to be distributed to everyone. "Soylent Green" was Edward G. Robinson's 101st (and, as it turned out, his last) feature film. During a break in filming, the cast and crew hold a ceremony celebrating the first film of his "second hundred," and Robinson makes appreciative remarks to the crowd. Studio head Jack L. Warner and friend George Burns are among those in attendance.

David Lynch: Don't Look at Me(en)
A documentary about American director David Lynch from the Cinéma, de notre temps series.

Clawing! A Journey Through the Spanish Horror(es)
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Michel Gondry: Do It Yourself(fr)
A portrait of French filmmaker Michel Gondry, creator, for three decades, of an imperfect, astonishing, fascinating, damaged and poetic work.

Kim Novak: Hollywood's Golden Age Rebel(fr)
Kim Novak never dreamed on being a star, but she became one. Most famous for her enigmatic performance in Hitchcock’s Vertigo (1958), the Chicago-born actress never quite fitted into the Hollywood mould and wanted to do things her own way.

The Basque Ball: Skin Against Stone(es)
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

Antonioni: Documents and Testimonials(it)
A behind-the-scenes documentary about director Michelangelo Antonioni as he's shooting his segment of The Three Faces, a vehicle for Soraya, the former empress of Persia. Featuring interviews with Monica Vitti, Tonino Guerra and more.
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