
Guisado on Sunset
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Don't Hug Me I'm Scared 2(en)
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

Yardbird(en)
A young girl who lives in a remote wrecking yard takes on the local bullies when they travel out to torment her father.

Singles(en)
Rebecca Sugar's thesis film from New York’s School of Visual Arts.

Death for a Unicorn(en)
Little Billy’s life is tormented by his scheming aunt who drags him daily to the cemetery and forces him to clean his uncle’s headstone. There Billy meets Myrtle, a little girl ghost stuck between the worlds of the living and the dead. Freeing Myrtle means losing the only friend Billy has ever had.

Carl och spelreklamshelvetet(sv)
Internet comedian Carl Déman from the humor group JLC lived a life that looked glorious. But beneath the surface was a terrible gambling addiction that almost cost him his life. In 2019, he and other gambling addicts struggle to stay afloat in a contemporary age marinated in gambling advertising. Carl wants to ask those who make the advertising how they think and wonders why the advertising profiles now also come from the world of culture and entertainment.

Russian Cyberhospital. Part 2(ru)
Privet from Russia! They say that in Russia diseases are still treated with garlic, honey and grandmother's jam. Its e bullshit! The asteroid hospital treats with nanotechnology. In the last episode, the heroes blew up a blood clot, in this one they are resolving the consequences. Uncover your blood pressure monitors - nanosafari full of danger continues! P.S. We really still eat garlic, without bullshit.

Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Grandpa's in the Tuff Shed(en)
It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Solar Do-Nothing Machine(en)
In 1957, Charles and Ray designed the Solar Do-Nothing Machine for Alcoa, the Aluminum Company of America. True to the Eameses’ belief that toys are not as innocent as they appear, the machine was one of the first uses of solar power to produce electricity. In the 1990s, Eames Demetrios discovered unedited footage of the wonderful machine. He cut it together to produce a new film that shares a bit of its flavor for future generations to enjoy.

It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live(pt)
Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

No Crying at the Dinner Table(en)
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.

Now Is the Time(en)
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

Multiple Man(en)
A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.

Giger's Alien(en)
Documentary about Giger's work for the movie Alien (1979).

Galicia(es)
Short documentary about social and economic situation in Galicia (Spain) in 1936

Cremaster 4(xx)
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...