Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice. The young bohemian musician does not know Cosette, but hears her sing daily. Instead, she's in love with Roberto and follows his steps as a composer.
Considered the greatest musical success of Pablo Luna's career, this operetta was released at the end of 1923 in El Teatro de la Zarzuela. Many consider it the best of his compositions, bolstered by an inspired and amusing libretto. After its premiere, it went on to be produced in Cuba, Mexico and continued its life cycle on stage until the 1950s.
In Murcia, a southern province of Spain rich in fruits and vegetables parcels, a girl and a boy are in love but he is so shy that she accepts a rich competitor proposal. From the zarzuela of the same name.
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
In Madrid, Spain, an omniscient narrator transforms Mari Loli and Merche, two beautiful sales clerks, into Susana and Casta, who flirt with Don Hilarión, an old apothecary, which arouses the jealousy of Julián, who is in love with Susana.
The beautiful Francisquita is in love with Fernando, a student who aspires to become a poet; but he is infatuated with the very fiery actress Aurora la Beltrana, who is Lorenzo's lover.
The wise men of the kingdom interpret a dream of Pharaoh and decide that Putifar, a victorious general, should marry Lota, a virginal slave.
In a Cordovan farmhouse, Soledad arouses a passion in two men, which will be cause of misfortune for both when the boyfriend of the protagonist in a jealous attack kills the rival in his presence.
A young printer's relationship with his girlfriend is in trouble after she accepts another suitor's invitation to the fair. This adaption of a popular operetta aims to please with a simple storyline and goofy slapstick.
Ricla, a village in Aragon, Spain, 1898. The imminent wedding between Jesús and Pilar, two young lovers, is frustrated when he is drafted to go to the war in Cuba.
In Madrid, Spain, Susana's flirtations with the old apothecary Don Hilarión arouse the jealousy of Julián, Susana's boyfriend.
Conducting the Wiener Philharmoniker, Andris Nelsons presents a concert night which concentrates every conceivable passion: Bernd Alois Zimmermann’s Trumpet Concerto “Nobody knows de trouble I see” performed with “technical perfection” (Kronenzeitung) by “the fantastic Håkan Hardenberger” (Salzburger Nachrichten) and Mahler’s Symphony No. 2 in C minor “Resurrection”. “Nelsons proved to be delicate but hearty when interpreting Mahler.” (Wiener Zeitung). The conductor led the Vienna Philharmonic Orchestra to “enticingly beautiful sounds” (Die Presse). “High praise goes to the vocal soloists Ekaterina Gubanova, Lucy Crowe and the Bavarian Broadcasting choir.” (Salzburger Nachrichten)
"Hey, kids, let's get together and put on a show!" That's the idea behind this raucous spoof about a vaudeville performer who's sent to college to spy on his bratty son.
When the Pfeffermans face a life-changing loss, they begin a journey hilarious and melancholy, brazen and bold. As they face this new transition, they confront grief and come together to celebrate connection, joy, and transformation.
Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.