Jeff Buckley: Everybody Here Wants You
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Self (archive footage)
Self
Self
Self
Self
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Following his explosive career as a member of one of Korea’s hottest K-pop groups, Kang Daniel has chosen to walk down a path all his own. His debut as a solo artist may have been delayed due to circumstances outside of his control, but it was during this time that Kang Daniel explored and discovered his true colors as an artist. With the release of his first full album, Kang Daniel stands before fans once again with “FIRST PARADE,” his first solo concert in Seoul that also marks the start of an epic world tour. This concert documentary film chronicles Daniel’s time in the rehearsal room, his stripped back and natural self with the people closest to him, and a glimpse into his mindset and resolve through heartfelt interviews. As we cheer for Kang Daniel on his path of transforming his dreams into reality, we soon find ourselves cheering for our own journeys as well. Here’s to KANG DANIEL, here’s to MY PARADE.
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An in-depth look at the dramatic highs and lows of an artist chasing music's top spot while tackling noise from the outside world, stardom, fatherhood and more. From creating his platinum-selling, Billboard No. 1 album “Tickets to My Downfall,” to his most recent No. 1 studio album, “Mainstream Sellout,” this is an all-access pass, that goes beyond the headlines, into the chaotic world of Machine Gun Kelly.
Global Metal(en)
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Heaven Adores You(en)
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Metal: A Headbanger's Journey(en)
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Keppel Road: The Life and Music of the Bee Gees(en)
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Big Family: The Story of Bluegrass Music(en)
Examine the history of bluegrass music, from its origins to its eventual worldwide popularity, and hear from dozens of musicians who explain the ways bluegrass music transcends generational, cultural and geographic boundaries.
Feast Your Ears: The Story of WHFS 102.3 FM(en)
Built out of “a pile of radio junk,” Bethesda, Maryland’s WHFS was a music fan’s dream of a radio station: the place on the dial to hear music listeners loved and new tunes they soon would, all with an anything-goes mentality and an ear for the sounds of social change. This doc pays loving tribute to free-form radio and WHFS’s influence over FM stations across the US from the 1960s to the 1980s. All good things come to an end, and so did the disc-jockey-driven format that WHFS pioneered and made successful, but its legacy lives on. The station’s DJs relate its history with passion in this film that captures the tenor of an era, abetted by reminiscences of performers including Emmylou Harris, Taj Mahal, Jesse Colin Young, and others whose music found its way to ears and minds eager for something more than the same old Top 40 programming.
It Might Get Loud(en)
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The 9 Lives of Barbara Dane(en)
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P!nk: All I Know So Far(en)
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Laurent Garnier: Off the Record(en)
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A World Without Beethoven?(en)
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Bastille ReOrchestrated(en)
A bracingly honest new documentary sourced from hundreds of hours of unseen archive and all-new conversations captured during the pandemic, the film features open and frank insights from each band member plus collaborators inextricably linked to the group’s orchestral adventures. Alongside dramatic re-interpretations of their hit songs, ReOrchestrated charts the very beginning of the band’s foundations all the way through the highs and lows of their three albums to date, via landmark, full orchestra appearances at Royal Albert Hall, Elbphilharmonie in Hamburg and The London Palladium, not to mention the inevitable tensions encountered en route.
Buena Vista Social Club: Adios(en)
In 1996, Cuban bandleader Juan de Marcos Gonzalez, British producer Nick Gold, and American guitarist Ry Cooder convened in Havana to produce a Cuban-Malian collaboration. When the Malians couldn’t get visas, the team turned their attention to reviving a forgotten generation of legendary son cubano musicians and formed an on-the-fly ensemble: the Buena Vista Social Club. Two decades since that fateful first session, we catch up to these master musicians, as they reflect on the magical unfolding of their lives—from humble origins to the evolution and surprising revival of their careers, all against the backdrop of Cuba’s dramatic history. Brimming with unseen concert, rehearsal, and archival footage, this film is an emotional, shimmering celebration of music’s power to transcend age, ideologies, and class, and to connect us to each other through our souls.
ABBA Silver, ABBA Gold(en)
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Autumn and the Black Jaguar(fr)
Growing up in the Amazon rainforest gave Autumn the rarest of friendships – a lost jaguar cub she named Hope. When a tragic event forces her to leave Hope for New York City, she dreams of going back to the rainforest and her friend. That opportunity soon comes when Autumn decides to return to the Amazon to save her beloved jaguar from animal traffickers who threaten her childhood village.
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The Year I Started Masturbating(sv)
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Miraculous World: Paris, Tales of Shadybug and Claw Noir(fr)
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M(mk)
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The Family(fr)
Anna happily lives with her husband, their two boys, and Simon, 6 years-old, who was placed with her by the Social Care services when he was only 18 months. When Simon’s father decides that he is ready to take his son back with him, the family’s balance is at stake. Anna is torn apart: how could she possibly let go a of child who has always called her ‘Mom’?
An Ideal Father(fr)
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A(ja)
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.