Zhagaram
Top 2 Billed Cast
Akil
Sneha
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A Lure: Teen Fight Club(en)
A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
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A Short claymation version of Jurassic fight club's first episode.
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Directed by Andrei Tarkovsky(sv)
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Quadro Branco(en)
In a world where society is controlled by a totalitarian regime and children are the tool of ideological formatting, Isa realizes that her child is different from the others and that this will bring consequences to her life.
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It's death on an unimaginable scale, when a majority of Earth's species quickly die out. It's called "mass extinction," and it's happened at least five times before. Cataclysms, such as supervolcanoes or asteroids, are thought to cause these events, but some experts believe a manmade mass extinction could be next. Is our planet in trouble? And if so, is there anything we can do to stop the next catastrophic annihilation? Experts are traveling the world, performing groundbreaking scientific detective work to answer these very questions.
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1-2-3(es)
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
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