2018-12-02
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He is already a real star: little polar bear Knut, born on December 5, 2006, is the first polar bear cub at Zoo Berlin for more than 30 years. The little sensation attracts all the attention, because for the first time a camera is looking into the nursery of a hand-reared polar bear. The Berliner Abendschau regularly reports from Knut's nursery and shows his first clumsy steps. After mother polar bear Tosca refused to accept the little white ball, animal keeper Thomas Dörflein took over mother and father duties from day one. Knut and Dörflein have now been living together in a small room at Berlin Zoo for three months.
Cathy’s birthday’s on 29th February, which is an impossible day as it is, because it’s a leap day. Then her dad comes up with the bright idea of giving her a duck egg to hatch for her tenth birthday. The chick appears when Cathy and her best friend Margot are watching, and the chick thinks Margot is its mummy. But Margot is bound to a wheelchair and will soon have to go to a special home. Unable to look after the duckling on her own, her parents decide to ged rid of it... Cathy and Margot end up in an adventure which teaches them a lot about how to rescue a migratory bird, but even more about themselves.
Stage program is based on the book series of the same name by Bastian Sick, which was created from the collection of Zwiebelfisch columns. In an entertaining way, it deals with doubts about grammar, spelling and punctuation as well as expressions in the German language that Bastian Sick considers unattractive. A PC game has also been published to accompany the book.
Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?
Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.
A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.
A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.
A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.
Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.
The majestic Neil Diamond live! Prepare to melt.
A German documentary on Hong Kong cinema.
Archeologists discover a pit filled with terracotta warriors buried to protect the grave of the First Emperor of China.
A new piece in which Linklater and actor-cowriters Julie Delpy and Ethan Hawke discuss the trilogy, moderated by critic Kent Jones.
When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.