Zwaj El Waqt

Simply Divine(ro)

In 1939 a young Romanian woman met a soldier. Love blossomed, but the man was sent to the front. They continued to write passionate letters to each another, but when she had to move they lost contact. She was never able to forget him. Will they ever meet again?

About Love(mr)

Three generations of the Phadke family live and work together in South Bombay. As they prepare for a family wedding, director Archana Atul Phadke, who is not in any hurry to marry, observes the shifting, often very funny household dynamics, as both her mother and grandmother wonder how they have tolerated their husbands for so long.

Like It Is(en)

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

The Boy Who Found Gold(en)

William Hart McNichols is a world renowned artist, heralded by Time magazine as "among the most famous creators of Christian iconic images in the world". As a young Catholic priest from 1983-1990 he was immersed in a life-altering journey working as a chaplain at St. Vincent's AIDS hospice in New York city. It was during this time that he became an early pioneer for LGBT rights within the Catholic church. "The Boy Who Found Gold" is a cinematic journey into the art and spirit of William Hart McNichols. The film follows his colorful life as he crosses paths with presidents, popes, martyrs, and parishioners, finding an insightful lesson with each encounter. McNichols' message as a priest, artist and man speaks to the most powerful element of the human spirit: Mercy.

Home Movies(en)

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

A Case for Love(en)

“A Case for Love” is a heartfelt yet personally challenging movie inspired by the teachings and writings of Bishop Michael Curry, most well-known for his passionate sermon about “The Power of Love” at the royal wedding of Prince Harry and Meghan Markle. This documentary examines whether or not love–specifically unselfish love–is the solution to the extreme societal and political divide facing the U.S.

Stranger at the Gate(en)

A U.S. Marine plots a terrorist attack on a small-town American mosque, but his plan takes an unexpected turn when he comes face to face with the people he sets out to kill.

Time(en)

Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades.

Love Meetings(it)

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Our Forbidden Places(ar)

During the oppressive reign of Moroccan King Hassan II in the 70s and 80s (Years of Lead), many dissidents went missing. After the throning of a new king, a truth commission was formed in the 2000's. Families of the missing speak.

LoveTrue(en)

From an Alaskan strip club, a Hawaiian island, and the streets of NYC—revelatory stories emerge about a deeper definition of love.

150 Miles of Rotting, Rutted, Lumpy, Dilapidated Pavement(en)

A Woman Watches People.

Partners(en)

18 partners discuss the choices they’ve made in deciding on their mates. At its heart, this unscripted documentary film is about acceptance; a gentle message that we shouldn’t judge the choices of others, even if they seem a little different.

Corpus Christi: Playing with Redemption(en)

Terrence McNally’s Corpus Christi is a play retelling the Jesus story, with Jesus as a gay man living in the 1950s in Corpus Christi, Texas. This documentary follows the troupe, playwright, and audience around the world on a five-year journey of Terrence McNally’s passion play, where voices of protest and support collide on one of the central issues facing the LGBT community: religion.

The Eternal Memory(es)

Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.

To the Sea(es)

Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.

Beyonce & Jay-Z: Power Love(en)

A merger of megastar music. Discover the story of multi-genre performer and fashion promoter, Beyonce Knowles sand the world's first hip hop billionaire, Jay-Z.

Picture Proof(en)

Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.

Lila(fr)

End of the World(pl)

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.