On this certain afternoon in the year 2014, Mrs. Jones, and her daughter, stock brokers, advertise for a first-class stenographer. Charles Van Doren, a defenceless young man, striving to make a livelihood in the big city, and at the same time retain his good name, calls on Jones' daughter, and is at once accepted as the new stenographer. He has not been there long, however, when Mrs. Jones takes advantage of his innocence, and makes improper advances to him.
1914-01-31
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A fortuneteller informs Monte that he will marry the first girl he meets. After several false starts, he meets what he is sure is "the" girl. She takes him to jail, hits him with a book, and affects her brother's escape, leaving Monte inside. He finally gets out, a chase occurs and he swears off girls forever, only to be snared again.
In this silent film, now considered lost, Doug Caswell falls for Irene, his wealthy father's mistress. It's up to Doug's stepmother Helen to put things right.
So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
Mary Davis, alone and destitute in New York City, pilfers a meal from a restaurant and eludes the police by ducking into the Cafe Royale, where she is shuffled along a line of aspiring chorines awaiting job interviews. In desperation, Mary agrees to impersonate Mademoiselle Fanchon, formerly of the Folies-Bergère, who has walked out on her contract. Reporter Kenneth Ward interviews Mary, believing her to be the notorious Frenchwoman, and due to a misunderstanding, she rushes wildly into his arms. When Robert Ryan, a bachelor friend of the real Fanchon, investigates Mary’s deception, she violently repels his advances and believes she has killed him. Later, the real Fanchon threatens to kill Robert. Following a series of amusing complications, Mary finds love with Kenneth.
Dr. Spencer's wife becomes intensely jealous when she finds, in her husband's coat, a note signed "Mary," which asks him to visit the writer at the Hotel Mum. The woman carries her tale of woe to Attorney Thomas, a family friend. In his effort to make light of the matter, Thomas soothingly places his arm about Mrs. Spencer's shoulder. Dr. Spencer's office is directly across the court. Glancing out of the window, the doctor sees his wife apparently being embraced by Thomas. The attorney consents to accompany Mrs. Spencer to the Mum and meet "Mary." The doctor trails the two. As luck would have it, Mrs. Thomas passes the Mum just as her husband and Mrs. Spencer enter. The doctor and Mrs. Thomas meet and make their way after their other halves, bent on vengeance bent.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
When Madge, a clerk in a flower shop, is sent to a bachelor's apartment to deliver and arrange a bouquet, she discovers a guest, young and handsome Bradley Lane, taking a bath. She loses her job and becomes a playgirl until Bradley, her true love, asks her to marry him.
Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.
This 12 minute short was released as part of the Choose Your Own Adventure option on the H&K Guantanamo Bay DVD. The blurb is: "Ever wonder what would have happened if Harold & Kumar had not been sent to Guantanamo and simply made it to Amsterdam? Here's a little something director Jon Hurwitz shot guerrilla-style all over Amsterdam in 3 days."
Everything is arranged by Dick and his college chums to have their sweethearts from the city, with their chaperone, visit them to spend the day. At the eleventh hour the boys receive a telephone message from the girls informing them that their chaperone has disappointed them, and they will not be able to come. The boys are disconsolate. While they are deploring the matter, their tailor, the ninth part of a man, enters. Struck with a sudden idea, they seize him and compel him to impersonate Dick's godmother.
Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.
The human pals of three apes become so attached to them that they take them to their home in the city where the apes prove too destructive to be really appreciative.