Orphée aux enfers

Me and the Big Guy(en)

In a totalitarian society Big Brother watches everyone. That means he also must see Citizen 43275-B all the time. How unlucky.

The Real Blonde(en)

An aspiring actor and his girlfriend handle life's frustrations, while his friend seeks fulfillment with a blonde.

The Ruling Class(en)

When the Earl of Gurney dies in a cross-dressing accident, his schizophrenic son, Jack, inherits the Gurney estate. Jack is not the average nobleman; he sings and dances across the estate and thinks he is Jesus reincarnated. Believing that Jack is mentally unfit to own the estate, the Gurney family plots to steal Jack's inheritance. As their outrageous schemes fail, the family strives to cure Jack of his bizarre behavior, with disastrous results.

Mumbo Jumbo(en)

In a misguided attempt to do something for the war on terror, self-styled suburban warriors Gool, Rube and Simmo are ready to carry out their first operation, but things don't go quite as they planned.

Cosi Fan Tutte(it)

Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.

Mozart: Così Fan Tutte (Zurich Opera House)(it)

A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.

Otello(it)

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

Rusalka(cs)

The Producers(en)

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

Orfeo Ed Euridice(it)

Performed live at the Royal Opera House, Covent Garden, Gluck's opera in three acts is conducted by Hartmut Haenchen. Performers include Jochen Kowalski, Gillian Webster and Jeremy Budd, alongside the Royal Opera Chorus and Orchestra. When Orpheus mourns for his late wife Eurydice, the god Cupid offers him the chance to descend into the underworld and lead her back to the land of the living, on the condition that he does not look at her face. He sets out on his journey, but his path to the Elysian Fields is blocked by the fierce Furies.

Der Fuehrer's Face(en)

A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.

Gayniggers from Outer Space(en)

Extraterrestrial beings travel the galaxy to free men "oppressed" by females to make way for an entirely-homosexual society.

1984(en)

Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.

The Ghosts of Versailles(en)

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

The Sweet Sins of Sexy Susan(de)

The literal English translation of the German-titled film here is "The Hostess of the Lahn." Suzanne (Terry Torday) is the beautiful redhead who runs an inn in the town of Giessen. She is the subject of many inspirational love songs by the student population. The lyrics also reflect the Germans' resentment and hostility toward the French occupation by the army of Napoleon. Suzanne appears in various stages of undress.

I'm All Right Jack(en)

Naive Stanley Windrush returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management as well as the trade union use him as a tool in their fight for power.

The We Should Game(en)

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Hail the Conquering Hero(en)

Having been discharged from the Marines for a hayfever condition before ever seeing action, Woodrow Lafayette Pershing Truesmith delays the return to his hometown, feeling that he is a failure. While in a moment of melancholy, he meets up with a group of Marines who befriend him and encourage him to return home to his mother by fabricating a story that he was wounded in battle with honorable discharge.

The Case of the Artist(ru)

A film that "exposes" the creators of abstract, constructivist, surrealistic painting. The horrors experienced by the artist in the world of pictorial abstractions force him to return to "realism"

Monday(ja)

A simple funeral turns a man's world Topsy turvy. He wakes up in a posh hotel room, totally clueless about how he got there. Slowly, he recalls what happened a day before.