Directed by J. Stuart Blackton.
1910-01-02
2.5
A boy grows a seed into a flower while the world around him marches on.
Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
A distraught squatter tries to cope with his werewolf nature through drugs and music.
The intersecting lives of two otherwise unrelated people in a rural Bolivian village adjacent to the Uyani salt flats are presented. The first is Carlos, a poor salt miner. Unlike his colleagues, he is unwilling to take the one time compensation package from an American conglomerate who wants to purchase the mining rights. Carlos would rather get paid for doing actual work than risk living off a one time payment without a guarantee of any other work in the area. Carlos being the one holdout irks his fellow miners, who cannot get their compensation until Carlos also agrees to the terms. Carlos views all gringos in a bad light because of this situation. The second is Marc, an American doctor who has worked in various third world countries providing aide where needed. Marc is completing his term here. Carlos and Marc have a turbulent few meetings based on Carlos' feelings toward gringos and his want for a simple stable life.
Edward James Olmos narrates this multi-fest winner about an immigrant who recalls a vivid and momentous memory where he discovered his boundaries.
Short film spinoff of CONFESSIONAL featuring one of the minor characters.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005
A young intellectual, Mati, engineers himself into a situation where he has to spend a weekend with his wife Helina and her lover Eduard. The trio goes to Eduard's summer house, surrounded by the majestic scenery of big forests and an empty beach. Mati, either out of jealousy or pride, has decided to win back his wife and will do anything his introverted and inert mind can come up with.
Jeanette, a pretty high school student, is looking for “kicks”. She starts hanging out with a wild crowd, and begins popping bennies, uppers and other pills. Soon she graduates from barbiturates to marijuana…
Bunny, an elderly rabbit who uses a walker, is in her kitchen one night baking a cake. A photograph from her wedding day is on her wall. A pesky and persistent moth bangs about the kitchen. She shoos it outside, turns off the porch light, and returns to her baking. The moth finds its way back into the kitchen, she bats it with a wooden spoon, and it falls into the mix. She stirs it up, pours the batter into a pan, and pops it into the oven. But the moth isn't done: it has a different mission, turning the oven into a portal, and inviting Bunny on a voyage of reunion.
The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.