Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his $7000 and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and Nevada finds Ide just as the posse arrives. Found with the money Nevada is arrested and Burridge now gets Powell to incite the local citizens to lynch Nevada.
Simon is a scion of a wealthy family who struggles to have a stable relationship because of his womanizing ways. When he finds a wife, Moon, he spots another woman and conspires to marry her.
In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.
Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but "nothing they can't do from a horse." Their lives are divided between months on the range and the occasional trip into town. Monte has a long-term relationship with prostitute Martine Bernard, while Chet has fallen under the spell of the widow who owns the hardware store. Camaraderie and competition with the other cowboys fill their days, until one of the hands, Shorty Austin, loses his job and gets involved in rustling and killing. Then Monte and Chet find that their lives on the range are inexorably redirected.
Clay Morgan kills Joel Potter and Marshal Manning has to arrest the brother of the girl he plans to marry.
After a pawn shop robbery goes askew, two criminals take refuge at a remote farmhouse to try to let the heat die down, but find something much more menacing.
C.J. and Hanna become the greatest of friends when the latter visits the former on the ranch where she lives, with the purpose of photographing the horses for her school project. The two unearth a secret plot which may put the mustangs in danger.
Steve Packard is the ne'er-do-well son of an Arizona ranching baron. Upon his father's death, Steve returns from his days as a South Pacific beach bum to protect his father's estate, which has fallen into the hands of Steve's estranged grandfather. The grandfather's foreman, Joe Blenham, attempts to wrest the ranch from Steve's rightful inheritance, whether the means are legal or not.
A young cowboy returns home to help his father fight off a gang trying to take over the family ranch.
A rancher who becomes a pilot staunchly defends the newly formed Civil Air Patrol from the cattle barons who fail to see the value of airplanes on the range.
A protegee of notorious outlaw Montana (Beery), young Tom Benton decides to stay on the good side of the Law upon reaching maturity. Montana, however, has no such inclination to reform, the result being a climactic gun duel between the ageing gunman and his former pupil.
The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.
Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly -- but the two soon become fast friends.
This western features a singing cowboy, a brave hero, and a bumbling sidekick who band together to defeat a ruthless range boss.
In this western, an innocent saddletramp is blamed for killing a man. Fortunately he finds the real culprit before it is too late.
Six wanted outlaws are rounded up and captured by the Cheyenne Kid. Collecting the reward money, Cheyenne instructs his sidekick Fuzzy Q. Jones to give the money to a group of financially strapped ranchers. Alas, Fuzzy falls off his horse, loses his memory, and forgets what became of the money.
An ex-con seeks revenge on the man who put him in prison by planning a robbery of the latter's stagecoach, which is transporting gold. He enlists the help of a partner, who could be working for his nemesis.
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
Arthur Bishop thought he had put his murderous past behind him when his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
Mozambique requests from Russia is being helped in the fight against militants of the "Islamic State" and a special group led by a commander with the call sign Granit is coming to the country.
For five years, Stephen McCoy documented street life in Boston. This is what he captured.
The two remaining puppets learn about eating healthy, but things go awry when they receive a mysterious phone call.
The untold and ultimately inspiring story of legendary singer, Teddy Pendergrass, the man poised to be the biggest R&B artist of all time until the tragic accident that changed his life forever at the age of only 31.
Jakob thinks that everything is going well with his girlfriend, but the relationship ends abruptly. He can not put her behind him, even if a new girl enters the picture.
Remote desktop animations that meddle in a deserted work space. Applications of corporate surrealism and business magical realism in a computer film.
With only nightmares for childhood memories, Lily Stone returns to her family home to find out what happened to her parents. Despite the locals' warnings about an evil presence cursing the house, Lily crosses the threshold and discovers not all the ghosts that haunt us are dead.
When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.
An unlucky Birthday boy must fight for his life against a masked psychopath.
A Japanese tokusatsu kaiju proof-of-concept short film directed by Takeshi Yagi and written by Yagi, Todd Silverstein, and Jordan A. Y. Smith. It is the end result of a tokusatsu film production course taught by Yagi for the online subscription service Narō. Though only about 6 minutes of footage was cut together and shown at Tokyo Comic Con on November 24, 2022, Yagi and his crew intend to put proceeds from course subscriptions toward getting AKARI made as a feature film or television series. It stars the titular Akari, a woman turned giant with alien technology, fighting off a berserk cybernetic monster.
Jacob’s dream is to be a rap artist, so he works on a song that will give him the big breakthrough. To his big frustration, his dreams are tested every time his roomie Adam gets a visit from his girlfriend Frederikke. And through a journey of unforeseen events Jacob meets additional challenges that test his working discipline.
Doll Face follows a machine’s struggle to construct its own identity. The machine with a doll face mimics images presented on a television screen and ultimately self-destructs from its inability to adopt a satisfactory visage. Created in its entirety by Andy Huang, Doll Face presents a visual account of desires misplaced and identities fractured by our technological extension into the future.
After being an absolute loser for his whole life, Luke Willcocks comes into contact with a mysterious shapeshifting artifact from Mars.