
A Bear in the Woods
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Madame Tutli-Putli boards the Night Train, weighed down with all her earthly possessions and the ghosts of her past. She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure.

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Rocks(de)
The stone-people Hew and Kew have seen a lot in their everlasting lives on top of their mountain. Therefore they're only mildly amazed by the ongoings in the valley below, they've got their own little problems to deal with - But all of a sudden, Mankind is discovering and inventing, instead of just woozeling, and this new behavior starts to threaten Hew's and Kew's stoic peacefulness...

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Fabiana is a shy and lonely girl. A man from darkness comes to visit her. She finds friendship in him, but are those his real intentions?

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Sandy is a drama school graduate and has asthma. Tonight she will be performing at the theatre. Before that, she has to teach a yoga class, work as a clown and go to an audition. In this equation, she somehow has to try and fit in Spiros, her boyfriend.

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In a near-future where a virus has turned the population into rabid monsters, a desperate mother forms an unlikely friendship in order to return home and save her family.

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Florence, 1631. The black plague rages, the streets are deserted, healthy citizens are confined. Alvise, a plague doctor, discreetly paces the city in search of infected bodies to conduct his experiments, in the hope of finding a cure. One day, during an autopsy, a strange creature springs from one of the corpses...

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L'Ascension Des Aiguilles Ravanel Et Mummery(fr)
"The ascent of the Aiguilles Ravanel and Mummery", climbed by young guides in cycling pants: The brothers Armand Charlet and Georges Charlet, Arthur Ravanel, Henri Couttet and Charles Balmat. The film was shot by Georges Tairraz II, Chamoniard mountain photographer, representative of the third generation of a family line of mountain photographers and filmmakers. George Tairraz II's film will lay the groundwork for a French vision of mountain film; In the 1930s, a French school of mountain cinema emerged, less expressionist, more stripped down and realistic than the German school. These are the films of Marcel Ichac, Roger Frison-Roche, Samivel, Georges Tairraz II, etc. It develops according to the principles set by Marcel Ichac, in opposition to the German school. It is both about getting out of the dramatic vision of the mountain and placing the mountain and the climbers at the heart of the plot.