The Pervert's Guide to Ideology
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The story of French filmmaker Jean Rollin (1938-2010), one of the most singular voices of European cult cinema, deeply misunderstood and widely misrepresented.
The Complete Story of Film(en)
At 18 hours and 43 minutes long, 'The Complete Story of Film' collects two epic documentaries by Mark Cousins into a stunningly expansive global journey through film history from the birth of cinema to today. The Story of Film: An Odyssey is an inclusive and ground-breaking journey through the history of world cinema and a treat for movie lovers around the globe. Guided by filmmaker and historian Mark Cousins, this wonderfully insightful 15-hour love letter to the movies begins with the invention of motion pictures at the end of the 19th century, continuing through the entire 20th century of moviemaking and concluding with the globalized digital industry of the 21st. In The Story of Film: A New Generation, Cousins picks up where Odyssey left off, returning with a new epic and hopeful tale of modern cinematic innovation in the new millennium, exploring how movies and moviegoing have evolved and will continue to transform to our collective joy and wonder.
Life May Be(en)
An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends the concept of "essay film" with startling confrontations in the arenas of cultural issues, gender politics and differing artistic sensibilities. A unique journey into the minds of two exceptional filmmakers which becomes a love affair on film.
First Daughter and the Black Snake(en)
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
The Odds of Recovery(en)
After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.
Jordan River Anderson, The Messenger(en)
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Remembering the Artist: Robert De Niro, Sr.(en)
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Jacques Lacan: La Psychanalyse 1 & 2(fr)
In "psychanalyse", a two part documentary, the psychoanalyst Jacques Lacan answers to questions submitted by his son-in-law Jacques-Alain Miller under the direction of Benoit Jacquot. The Office de Radiodiffusion Television Francaise (ORTF, the french public TV) broadcast this program. This documentary and its text became famous because this is the only televisual experience practiced by Lacan. A fair amount is made of the fact that Lacan was renowned for his powers of seduction and what effect this had on transference in the clinical setting. According to some of the interviewees, he could be irresistibly seductive, so much so that some thought him "monster".
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History and Memory: For Akiko and Takashige(en)
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End of the Commune?(de)
"End of the Commune"/"Ende einer kommune" is a great 49 min. long movie made in 1969 about Fassbinder and the early years of the legendary Antiteater he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffehouse" which also became a television-movie, and you can watch unique footage from the 19th Film-Festival in Berlin (1969) where "Love is Colder Than Death" were shown. As told in this documentary, his first feature-movie were given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder than Death", while a man in the audience is shouting "Out with the director!". In this interesting documentary Fassbinder also talks a lot about his father which was a respectable doctor.
Denim(en)
Denim' is a poetic short film by writer, poet and performer Siana Bangura, exploring gentrification and social cleansing in South East London. Through a personal trip down memory lane, visiting the places that moulded her, we learn what happens when the city changes and leaves those who built it behind. Travelling through Bermondsey, Rotherhithe, Elephant & Castle, Walworth Road, Peckham, Brixton and of course Shoreditch, 'Denim' is both a personal tale and a wider social commentary.
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Club Native(en)
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Room 999(fr)
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
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The firemen of a provincial Czechoslovakian town throw a ball in honor of the old chief's retirement. There will be music and dancing, a beauty pageant and a raffle. The whole town will be in attendance. However, the proceedings are dogged by difficulty at every step. Workplace injuries, stolen prizes, a shortage of pretty girls... and fire.
Stories We Tell(en)
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La Rabbia(it)
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
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Seconds(en)
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Capitalism: A Love Story(en)
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Russian Ark(ru)
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Exit Through the Gift Shop(en)
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Grizzly Man(en)
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
Dangal(hi)
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