Self
Self
Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.
This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.
A documentary about Tim Burton's iconic 1988 fantasy comedy Beetlejuice, covering all the aspects of production: from filming in East Corinth, Vermont, to the stop-motion and special effects work, as well as a series of exclusive interviews and rare behind the scenes archives.
This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.
In 1981, a film about the misadventures of a German U-boat crew in 1941 becomes a worldwide hit almost four decades after the end of the World War II. Millions of viewers worldwide make Das Boot the most internationally successful German film of all time. But due to disputes over the script, accidents on the set, and voices accusing the makers of glorifying the war, the project was many times on the verge of being cancelled.
A documentary about the career of director Jack Arnold at Universal-International Studios. (An early version of this film, only 20 minutes in length, was screened in 2012.)
As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.
Documentary about the original 1986 film Critters. Features interviews with actors Dee Wallace, Don Opper, Terrence Mann, and Lin Shaye; producer Barry Opper; writer Brian Muir; critter designers and voice actors; and many more.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
BRICKS IN MOTION is a feature length documentary that explores the lives of individuals involved in the hobby of creating stop-motion animated films with LEGO® bricks and other building toys. Filmed in five countries around the world, the film is a journey through the creative life and struggles of a diverse community of storytellers as they bring their spectacular visions to life.
Conrad Brooks discusses "Hellborn," his unfinished movie with Ed Wood, and other projects
How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.
Memories from the making of the classic Milos Forman film "Ragtime".
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven
Who has ever compared Reservoir Dogs? What are “Open Road” and “New World Disorder”? Why is Harvey Keitel a fairy and how did we all almost become diehard fans of Paul Calderon? Here’s a story about Quentin Tarantino. The director who needs no introduction.
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
This documentary treats movie fans to a behind-the-scenes look at the making of Max Keeble's Big Move, about a young boy who uses his imminent move to another town as his big chance for revenge on everyone who's tormented him, only to have his plan backfire. Included are interviews with the cast and crew who talk about the experience of making the film, as well as all of the effort that went into it.