2017-01-01
0
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Women are lucky, they get to have the only organ in the human body dedicated exclusively for pleasure: the clitoris! In this humorous and instructive animated documentary, find out its unrecognized anatomy and its unknown herstory.
Sharing her journey from child to teen activist, Georgie Stone looks back at her life and historic fight for transgender rights in this documentary.
ITV Naturalist Nigel Marven stars in this drama-documentary in which he explores his own back garden, in all its intricate detail. Shrunk to the size of an ant, he and his two companions - technical assistant Laura Green (Sarah Matravers) and driver Doug Kruger (Robin Lawrence) - embark on a mission to cross Nigel's back garden in just 24 hours. Along the way they meet some of the many thousands of creatures that fight for survival every day in these urban jungles .
In Africa there is a fable that explains the creation of the tides. When a hyaena challenged a mudskipper to a drinking contest to decide who should own the shore, the god Mungu tilted the earth so the sea flowed inland, and neither could win.
Behind the scenes documentary on the making of the film.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.
Animated training film depicting the fundamentals of electricity and how electrical signals can be used to keep an airplane on correct course and altitude through an autopilot.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.
Cuba's enforced isolation has resulted in the unlikeliest of marine reserves: a huge, rambling archipelago known as Jardines de la Reina, or "Gardens of the Queen." Stretching around 140 miles along the southern coast of Cuba, it's one of the longest barrier reef systems in the world. Get an up-close look at Fidel Castro's diving playground, a forgotten ocean paradise unseen for half a century, and witness exotic species rarely seen elsewhere in the region. It's the lost jewel of the Caribbean, but how long can this pristine wilderness survive?
A short documentary about the press of GoldenEye.
Acclaimed artist Abdou Ouologuem delves into the legend and legacy of the richest person in the history of the world, the 14th century Malian king Mansa Musa, who has been almost entirely wiped from recorded history.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.