Hamido(1953)

Sonic Youth: Koncertas Stan Brakhage Prisiminimui (April 12, 2003)(en)

Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).

John(en)

A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

Fight club camp kusse(da)

Bring Me the Head of Lance Henriksen(en)

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

John(en)

A bittersweet, touching, yet heartbreaking tale of two lost hearts meeting, by director and writer Oliver Lee and Bittersweetpictures.net. Powerful, moving, strong yet subtle. 'John' makes you not only think but feel.

Sickies Making Films(en)

A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.

O Encontro do Sol e a Lua(pt)

Hello(en)

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

My Life as Marilyn(en)

Marilyn Monroe is one of the most iconic stars of all time. Though full of glamour, Marilyn's life is also remembered for its tragedy. This film fuses archival footage and interviews with scripted reenactment to reflect on the duality of Marilyn's life.

Hello(en)

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Love as Much as Pain(ko)

In a countryside of Philippines, where people die everyday without having a local clinic, a foreign doctor's office in wheels help people for thirty years. Nuga (Luke) Park cares for patients in the moment he is terminally ill. What we see in his dedication and support in his missionary is love. This is the story of his love that would heal.

Six Hours: Surviving Typhoon Yolanda(en)

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Vessel of Wrath(en)

Ginger Ted, AKA Edward Claude Wilson, a drunkard and womanizer, and Miss Jones, a missionary, live in the Alas Islands. During a cholera epidemic, Ginger Ted and Miss Jones are sent to an outlying part of the islands to run a hospital; on their return, their motorboat breaks down, and they are marooned overnight on a small island.

Nightmare Factory(en)

The story of how one Pittsburgh boy’s fascination with monsters drove him to the very top of the Hollywood food chain. In 1989, Greg Nicotero, much to his parents’ chagrin, quit medical school and headed for Hollywood to pursue a dream of making monsters. Together with gore masters Howard Berger and Robert Kurtzman, Nicotero went on to create KNB EFX Group, one of the most prolific makeup effects studios in the world. After twenty years as the “go to guy” for the world’s most successful horror/sci-fi films, Greg Nicotero is the first one directors like Quentin Tarantino and Robert Rodriguez call.

J. R. R. Tolkien's The Hobbit(en)

The very first movie adaptation of J.R.R Tolkien's The Hobbit. Made in just 30 days so that the producer could keep the rights to Tolkien's books.

梦开始的地方(zh)

Highlander III: The Sorcerer(en)

Starts off in the 15th century, with Connor McLeod training with another immortal swordsman, the Japanese sorcerer Nakano. When an evil immortal named Kane kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it's up to McLeod to stop him.

A Very Brady Sequel(en)

A man claiming to be Carol Brady's long-lost first husband, Roy Martin, shows up at the suburban Brady residence one evening. An impostor, the man is actually determined to steal the Bradys' familiar horse statue, a $20-million ancient Asian artifact.

Film(en)

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri