If you're like me, you love jerking off to stories or videos of dads having sex with their stepsons. In high school I fantasized about getting fucked by my stepdad or sucking off my stepbrothers. Now I get older men to send me videos with their stepsons and I figured I'd share them with you. So grab your dick and enjoy Family Dick 25. Julian wants tips on how to build muscle but when his stepdad catches a glimpse of the boys cock pressed against his gym shorts, it's time for a whole new exercise. Lukas's stepdad is home after a long prison sentence and the young man is eager to have his stepdad cream in his tight hole. Tomas is in need of a spanking but to his and his stepdad's surprise, he starts getting hard. Ashton discovers a way to his stepdad and takes full advantage.
Welcome to the curious, surprising and always outspoken world of straight men who go Gay4Pay. Curiously, there is a disproportionate percentage of men working in gay porn who identify as straight. Why would a straight man do gay porn? What motivates him to try this or make a career of it? Why is there such keen interest and debate into the sexuality and personal lives of these men? And what does it say about us, the viewer that so much of gay porn is dominated by images of straight men?
I'm a Porn Star follows the lives of guys in the neighborhood who are likely a lot more famous than you - at least on the Internet. There are an estimated 370 million pornographic websites on-line. Porn is now a thirteen BILLION dollar business. So who's doing all this moonlighting? Turns out -- probably some people you know.
Two gay dads fumble to provide their straight son with meaningful support after the loss of his first real love.
Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.
An ageing director commentates on a porno he directed 50 years ago, reminiscing on his relationship with the lead actor.
Two new dads are putting their newly adopted newborn son to sleep when something unexpected happens...
Self-effacing, boyish Sean moves to LA to pursue a career in movies but finds it tougher than he imagined. He stumbles onto porn star Johnny Rebel - a handsome, muscled dream of men and women alike - who awakens Sean’s deep obsession.
Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.
The rise and fall of homegrown gay porn studio Palm Drive Video. An exploration of how a devoted couple helped battle a devastating health crisis by promoting kinky sex.
Ezequiel, a sixteen-year-old gay teenager in his sexual awakening, meets a boy of twenty-one. They quickly start a relationship and the situation unravels unexpectedly.
In 2014, Luke was a small-town boy growing up in Ohio. The only son and adopted child of a single mother, he dropped out of college and moved to New York to become a gay porn star: Levi Karter.
Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.
Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.
Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.
Sites like OnlyFans, Flirt4Free, and JustforFans have destabilized the traditional production, distribution, and monetization of X-rated entertainment. The potential and risk to make the big bucks, along with all the headaches of running a business, is now in the hands of porn stars and starry-eyed newcomers working from home. Performers have become their own studios, producing, shooting, and casting their own work - often from their homes. And just like a Netflix account - people pay to watch. Sure, porn is still popular but it’s a one-way experience and guys don’t want to pay for it. They want the opportunity to get to know somebody they’ve seen in a magazine, on TV, or on social media. Meet your roster of online boyfriends.
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
Son of a patriarchal family in the country interior finds out something.