Born Flirty 4[2014]

Anne Roumanoff : Aimons-nous les uns les autres, et plus encore…(fr)

スケート靴の約束 ～名古屋女子フィギュア物語～(ja)

Diagnosis Bipolar: Five Families Search for Answers(en)

Traumatized. Immobilized. Stigmatized. Families reveal the struggles, hopes and fears that arise from raising young children with Bipolar Mood Disorder. Shot over the course of 12 months, the film focuses on five sets of parents and how they handle the unique challenges of caring for their bipolar children in the shadow of depression, violence and the threat of suicide.

Růžové kombiné(cs)

No Time for Tears(en)

The interwoven dramas of staff and patients in Mayfield Children's Hospital, where the doctors and nurses are in the business of restoring children's lives. One small child risks losing his sight, while twin boys fool the doctors over which one has appendicitis. Meanwhile, behind the scenes, new nurse Margaret Collier suffers pangs of unrequited love for houseman Dr. Nigel Barnes.

Fired on Mars(en)

A man is fired from his job on mars.

Storm Over Georgia(en)

In the middle of Sherman's March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.

Der Fall Marianne Voss(de)

Griesenow, 2013: The hairdresser Marianne Voss is found dead in the forest by her daughter Heike. Shortly afterwards, her husband Karsten comes under suspicion of murder. But he protests his innocence.

Learning to Milk a Cow(en)

A daring documentary delving into the experiences of a Ukrainian forced labourer in Germany during World War II, exploring themes of love, loss, and profound longing. When the filmmaker’s grandmother was 19, she was taken from Soviet Ukraine to Germany to work on a Bavarian farm under National Socialism. She had the luck and perseverance to survive the hardships of the forced famine in her homeland and forced labour in the new one. The stories of her everyday life – learning how to milk a cow, and falling in love – are interspersed with three generations of reflections on politics, longing, feelings of displacement and loss. Hand-processed black & white film, colour film, photographs and official documents create a montage of different perspectives. The hand-touch aesthetic combines with the acousmatic effect of disembodied voices, in this deeply intimate portrait obscured by memory loss, mistranslation, fear and trauma.

You xia hei hu die(zh)

Defunct(el)

A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.

Genocide(ja)

A group of military personnel transporting a hydrogen bomb are left to figure out how and why swarms of killer bugs took down their plane; the answer is more deliriously nihilistic, and convoluted, than they could imagine.

The Incoherents(en)

Four forty-somethings each mired in some sort of mid life malaise reunite their 90's indie rock band.

Un cuerpo de mujer(es)

No mataras... y yo he matado(es)

99ème régiment d'infanterie : assaut du portique(en)

A regiment of soldiers demonstrate their skills.

Brendan O'Carroll: How's Your Raspberry Ripple?(en)

Recorded Live at the Olympia Theatre, Dublin When you remember that Brendan O'Carroll began his comedy career in his native city of Dublin - playing in pubs to maybe 100 people - then it puts into perspective this performance in the Olympia Theatre as he returns to the City by the Liffey to a record pre-sold 50,000 tickets. This show includes readings from his novel "The Mammy" and even Brendan singing his lovesong "How can I say I love you?"

Trinity(en)

Explores Man's tendency to reduce the world into discrete intervals so that it might be more readily analyzed, even if not wholly understood.

La sposa del Nilo(en)

La Sposa del Nilo (1911) was a proto-epic, where you could sense the Italian filmmakers (Enrico Guazzoni in this case) gearing up to the gigantic imaginings of Cabiria and Quo Vadis just a few years on. The film wanted to impress you with its stateliness and scale; at time the central action (a young virgin is drowned to appease Isis and ensure that the Nile floods) became lost in the crowded frame – but that just reminded you that early cinema audiences look that much more intently at what was going on, and picked up on details that our lazier eyes sometimes miss.