La Première éducation sentimentale (the first version of L'Éducation sentimentale), re-adapting the themes of first love, the intoxication of desire, and failed ideological revolution (that culminated in the Revolution of 1848) to the May 68 generation through a chronicle of the parallel lives of a pair of childhood friends, the pragmatic Henri and idealistic Jules as they leave their bucolic, rural hometown to separately pursue their baccalaureate - and real world - educations.
Le Sauvage
M. Renaud
Bardi
Lucie
Sylvaine
Mathilde
La Première éducation sentimentale (the first version of L'Éducation sentimentale), re-adapting the themes of first love, the intoxication of desire, and failed ideological revolution (that culminated in the Revolution of 1848) to the May 68 generation through a chronicle of the parallel lives of a pair of childhood friends, the pragmatic Henri and idealistic Jules as they leave their bucolic, rural hometown to separately pursue their baccalaureate - and real world - educations.
2001-03-28
6.9
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
FF is around three years' worth of collected footage culled from all sources in a variety of formats, from dumpsters to video. It is put together in such a way as to provide miniature, almost instantaneous fictions, confined and numerous, where meaning can occur between the frames as much as it might in the frame. Overall, the film could be described as a visual assault as well as a reference to the invasive nature of the act of taking photographs and more abstractedly with the problem of image or picture functioning as representation of some or all aspects of an object or thing. While the movements and the pace of the film are structured as to suggest relentlessness and insistence of control, the assembly of images therein serve to illustrate the nervous breakdown of the characters represented as their actions, forced into exact repetitions, lose their original expression and take on a new, more ominous existence.
Rosa is a successful psychologist and author. She has two children with her husband Frederik, who runs a mechanic's workshop for luxury sports cars. But something is wrong in the midst of this seemingly idyllic life. Frederik has a secret mistress who is pregnant with his child. When she seeks out the city's best psychologist—Rosa—to figure out what to do, Rosa and Frederik's otherwise secure world is turned upside down. In a tragicomic way, they are now both forced to look at themselves, each other, and their actions in order to answer the question: Do we even have a future together?
This piece documents the process behind the creation of Holt's major public art installation, Dark Star Park, in Arlington, Virginia. The park, which features giant concrete spheres and pipes, allows the visitor to reconsider the experience of space, earth and sky within an urban context. It also serves as a kind of contemporary Stonehenge: once a year, on August 1 at 9:30 am, the shadows of the objects exactly align with outlines on the ground. Interviews with the artist, the architects, engineers, contractors, and the public, among others, reveal Dark Star Park as both a public sculpture and a functioning park that reclaims a blighted urban environment.
A hot summer day. A half-unpacked house. A mother who needs room to breathe, and a child who needs space to truly exist. As the afternoon heat turns oppressive, time seems to move entirely differently for each person.
Three cosmonauts bid farewell to their loved ones and embark on a journey into space, where they encounter discoveries in uncharted territory yet to be explored by humankind.
In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!
A White Trash right wing extremist militia’s (unintentionally hilarious) home movies.
Rise Against playing live at the Area 4 festival in Germany. Date: 21/08/09 - 23/08/09 01. Collapse 02. State of the Union 03. Re-Education 04. Paper Wings 05. Long Forgotten Sons 06. The Good left Undone 07. Chamber the Cartridge 08. Drones 09. The Dirt whispered 10. Audience of One 11. Blood to bleed 12. Savior 13. Survive 14. Prayer of the Refugee 15. Swing life away 16. Hero of War 17. Dancing for Rain 18. Blood-red, white and blue 19. Give it all 20. Ready to fall
Lev Sergeyevich Theremin was a pioneering Russian inventor whose eponymous instrument, the thereminvox, revolutionized electronic music; between 1928 and 1938 he enjoyed triumphs in America - sold-out concerts, mass production of his instrument, and high society acclaim - before the Wall Street crash, personal upheavals, and waning fame led to his enigmatic 1938 return to the USSR. Against all expectations, after surviving Stalin’s notorious Magadan labor camp, he resumed work for Soviet secret services and lived on until 1993, passing away at the age of 97.