Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
2004-07-23
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Depicts the 2002 trip by several employees of Studio Ghibli to promote the movie Sen to Chihiro no Kamikakushi (Spirited Away) in North America. It was originally made as a private thank-you gift from Ghibli to John Lasseter, the Lasseter-San of the title. The show appears similar to a home movie, or private documentary. This footage includes snippets from some of Miyazaki's films, as well as some Pixar shorts. The most striking part were clips from Porco Rosso, interchanging with images of Miyazaki flying a red double-decker.
The hero, Rambutan, fights against a rival inside an old convertible launched at high speed. His opponent manages to rush him out of the vehicle and then bends over the hero's girlfriend who desperately resists by kicking him in the face. Meanwhile, Rambutan catches up with the car running. He throws himself on his enemy and gets rid of him then kisses his girlfriend. The rival arises again, separates the two lovers and he and Rambutan fight again. The cycle resumes.
A small white fish enters the frame and is eaten by a larger one, then the latter is in turn eaten by an even larger fish... At the end, only a huge white fish remains which seems to shrink in size. swimming towards the bottom of the screen. He leaves the frame and the cycle resumes.
The story of evolution, from the first aquatic organisms to modern man (and woman).
The universe of strange and colorful creatures that are born, eat, are eaten... and are reborn indefinitely on the screen.
With unprecedented access to the multi-faceted woman behind the persona, follow Megan Thee Stallion's journey on the road to stardom as she tenaciously navigates fame, grief, pressure and success, This documentary unpacks the Houston native's most vulnerable moments in a powerful way that allows fans to meet the real Megan Pete.
As the Ukraine war moves into its third year, a surprising story of resilience: how children in Ukraine are surviving the Russian war machine that has targeted them and their families. With creativity and imagination they have transformed backyards and playgrounds destroyed by missiles, invented fairy tales where vegetable armies vanquish Russian attackers, and carried on the Ukrainian tradition of music and dance in bombed out studios. Life behind the frontlines as seen through the eyes of the children who will inherit a country struggling to survive a brutal invasion.
Hosted by one-time M*A*S*H guest star Shelley Long, “Memories of M*A*S*H” included brand-new interviews with the cast as well as producers, creators and guest-stars. The 90-minute retrospective aired on November 25th, 1991 on CBS as part of its “Classic Weekend II,” which also included “The Bob Newhart 19th Anniversary Special” and “The Best of Ed Sullivan II.” Dozens of clips from over over sixty different episodes were shown. It was the brain-child of Michael Hirsh (also responsible for “Making M*A*S*H”) and coincided with the 20th anniversary of M*A*S*H.
Behind-the-scenes documentary on the making of the 2008 science ficiton/horror film, Daybreakers featuring interviews with members of the cast and crew and delving into every aspect of the feature including early development, pre-production, production and post-production.
Dissident artist Hu Jie has managed to make more than 30 documentaries. Films like Though I Am Gone and Searching for Lin Zhao's Soul are vital to understanding Chinese history and society. Widely recognized as the first artist to dare talk about the Great Famine, the labor camps, and the Cultural Revolution, Hu Jie is considered China's first historical documentary filmmakers.
Did Aliens create homo sapiens to control us throughout history? Jim Marrs explores our occult history and how Aliens may still be in control today.
A biography of creative prodigy Chéreau who ran his first theater aged 22 and went on to fascinate audiences with innovative stage productions and haunting movies, as witnessed by many of his collaborators.
Takes the audience behind the artistry, intellectual spirits, and production of the second season of the holy grail of Indian sitcom.
The Last Animals is a story about an extraordinary group of people who go to incredible lengths to save the planet's last animals. The documentary follows the conservationists, scientists and activists battling poachers and transnational trafficking syndicates to protect elephants and rhinos from extinction. From Africa's front lines to behind the scenes of Asian markets, the film takes an intense look at the global response to this slaughter and the desperate measures to genetically rescue the Northern White rhinos who are on the edge of extinction.
Deep in the Amazon, the population of the indigenous pink river dolphin is dwindling. Docile and easy to catch, this near-mythical animal is being hunted to extinction and used as bait for scavenger fish. But two activists are each working tirelessly to raise awareness and protect the species. On the one hand a marine biologist and on the other a famous TV star, each has their own very different approach to their one common goal.
Capturing Americans in communities across the country as they wrestle with the legacy of the coal industry and what its future should be under the Trump Administration. From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often heartbreaking stories about what’s at stake for our economy, health, and climate.
Documentary following British punk duo Sleaford Mods on their two year journey from Nottingham bedroom recording sessions to chart success
The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.